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| Title | Author(s) | Issue Date | Views | |
|---|---|---|---|---|
Performing the Underground: the Tokyo Garage Rock Scene Proceeding/Conference:Underground Music-Making in Hong Kong and East Asia Symposium | 2018 | 23 | ||
Why Beethoven Draws a Blank Proceeding/Conference:After the End of Music History Conference | 2012 | 20 | ||
Motor Resonance in Piano Playing Proceeding/Conference:IMS2022: 21st Quinquennial Congress of the International Musicological Society, August 22-26, 2022, Athens, Greece: Abstract book | 2022 | |||
Jalan Leban (music to ‘Lord of the Church’- words by Timothy Dudley-Smith) Book:Hymns of Universal Praise | 2006 | 159 | ||
| 2016 | 95 | |||
Pianist as action executer and observer: Fingering in musical communication Proceeding/Conference:Who is the “I” that performs? Enacting Musical Identities Festival & Symposium | 2019 | 23 | ||
"Love at First Sight": Music as Heterological Silence Proceeding/Conference:Annual Conference on Music & the Moving Image | 2016 | 40 | ||
Typological Analysis of the Chinese Qin in the Late Bronze Age Journal:The Galpin Society Journal | 2016 | 101 | ||
'Minding Gaps’: Theorizing Bodily and Musical Motions in the Early 20th Century Proceeding/Conference:Biennial Conference of the East Asian Regional Association of the International Musicological Society, IMS-EA 2013 | 2013 | 23 | ||
聲文之美的合浦珠還: 南宋《白石道人歌曲》在清代的重現 Book:宋韻遺珍: 白石道人歌曲重構 | 2016 | 72 | ||
Introduction to Chinese Music (in Chinese) Book:Treasury of Chinese Music | 1999 | 119 | ||
High and Low: Music as Anamorphic Spot Proceeding/Conference:The Film Scene: International Conference on Cinema | 2006 | 99 | ||
On The Authenticity of A Collection of Yongle Qin Literature on Music(Yǒnglè Qínshū Jíchéng) Journal:Palace Museum Journal | 2015 | 136 | ||
Hong Kong Musicological Research and Scholarship 2003-04 Journal:Annual of Chinese Music | 2008 | 37 | ||
Double Agents, Cameos, and the Poor Man's Orchestra: Music and Place in Chungking Express Book:A Companion to Hong Kong Cinema | 2015 | 59 | ||
Composition in Western Idioms on the Chinese Mainland' Journal:World New Music Magazine | 2002 | 155 | ||
Typological Analysis of the Chinese Qin in the Late Bronze Age Proceeding/Conference:The 45th ICTM (International Council for Traditional Music) World Conference | 2019 | 9 | ||
On the Textual Criticism of Wang Mengshu Book:琴學薈萃：第二屆古琴國際學術研討會論文集 | 2011 | 40 | ||
Inventing the Fuxi Style of Qin Form Proceeding/Conference:Foundation of the East Asian Regional Association of the International Musicological Society | 2011 | 31 | ||
Echoes of hope in Monteverdi’s L’ Orfeo and Beethoven’s Fidelio Book:Art, imagination and Christian hope : patterns of promise | 2012 | 60 | ||
《五知齋莊周夢蝶逸譜》解題 Book:古吳汪孟舒先生琴學遺著 | 2013 | 44 | ||
On the so-called Funerary Jade Qin excavated from Anyang Proceeding/Conference:中國古琴國際學術研討會 | 2010 | 99 | ||
| 2002 | 150 | |||
(Re)Valuing Rock Music: Curatorship in the Production of Anthology Compilation Albums Proceeding/Conference:International Association for the Study of Popular Music 20th Biennial Conference | 2019 | 35 | ||
The se and qin excavated from the tomb of Liu He, 59 BCE Proceeding/Conference:Musikarchäologie aus anthropologischer Sicht : Vorträge des 10. Symposiums der Internationalen Studiengruppe Musikarchäologie im Provinzmuseum Hubei, Wuhan, China, 21. - 25. Oktober 2016 | 2019 | 20 |