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| Title | Author(s) | Issue Date | |
|---|---|---|---|
The Filmmaker as Music Bricoleur: Wong Kar Wai’s Soundtracks Proceeding/Conference:Creative Media Colloquium, School of Creative Media, City Univerfsity of Hong Kong | 2019 | ||
‘Imagery’ and ‘Force’: Conceptual Metaphors in the Early Music Psychology of Late-Nineteenth and Early Twentieth Centuries Proceeding/Conference:ICMPC-10 & APSCOM-3 Joint Conference | 2008 | ||
Early Music Psychology as an Interdiscipline: Historical Reflections on Music Theory and the Psychology of Music Proceeding/Conference:Congress of the Gesellschaft für Musiktheorie, GMTH 2008 | 2008 | ||
In the Mood for Love: Romance as Allegory Proceeding/Conference:Asia Culture Forum 2006: Whither the Orient | 2006 | ||
Conceptualization of Tonal Relations in Writings by Hugo Riemann and his Contemporary Psychologists Proceeding/Conference:Tonality in Perspective Conference | 2008 | ||
Typological Analysis of the Chinese Qin in the Late Bronze Age Proceeding/Conference:The 6th Symposium of the International Council for Traditional Music’s Study Group on Musics of East Asia (ICTM MEA) | 2018 | ||
The Qin Excavated from the Tomb of Liu He, 59 BCE Proceeding/Conference:The 48th Annual Meeting of the American Musical Instrument Society | 2019 | ||
Typological Analysis of the Chinese Qin in the Late Bronze Age Proceeding/Conference:The 45th ICTM (International Council for Traditional Music) World Conference | 2019 | ||
An Artist and His Patrons: Qin Player Yang Jijing and the Cultural Elite in Early Sixteenth Century Suzhou Proceeding/Conference:Harmony and Power: The Role of Music in the Cultivation of the Literati in Ancient China Conference | 2018 | ||
The Seven-stringed Qin Excavated from the Grave of the first Marquis of Haihun, Western Han Dynasty Proceeding/Conference:Cheung Sai Bun and Chinese Music: A Colloquium | 2018 | ||
Wang Cottage, West Lake: The Qin in Changing Modern China Proceeding/Conference:2018 East Asia Music Forum | 2018 | ||
Some Issues on Arrangement and Orchestration Proceeding/Conference:Invited lecture, Yong Siew Toh Conservatory of Music | 2010 | ||
Music in the Hands: The Convergence of Performance Theory and Music Psychology in History Proceeding/Conference:The Fifth Biennial Meeting of the International Musicological Society Regional Association for East Asia (IMSEA) | 2019 | ||
Pianist as action executer and observer: Fingering in musical communication Proceeding/Conference:Who is the “I” that performs? Enacting Musical Identities Festival & Symposium | 2019 | ||
The Vernacularisation of Classical Music in Wong Kar Wai's Cinema Proceeding/Conference:Unpopular Pop Conference, Kyoto Seika University | 2020 | ||
<<碣石調幽蘭>>與<<琴用指法>>合卷說辯正 Proceeding/Conference:第一屆香港琴學座談會: 程序及論文摘要 | 2008 | ||
Japonifying the Qin: Ogyū Sorai’s Kingakutaiishō Proceeding/Conference:New York Qin Society's Colloquium on Early Chinese Music | 2007 | ||
Chinese Qin Zither in the Late Bronze Age Presentation:Hong Kong Baptist University, Chinese Music Lecture | 2013 | ||
Jindou: A Musical Form Found in Southern Song Lyric Songs Presentation:Hong Kong Baptist University, Dept of Music, Guest Lecture | 2015 | ||
The will sets in activity the nervous fibers, like the keys of a piano: music and force in Early Music Psychological Discourse Proceeding/Conference:Biennial Conference of the East Asian Regional Association of the International Musicological Society, IMS-EA 2015 | 2015 | ||
"Love at First Sight": Music as Heterological Silence Proceeding/Conference:Annual Conference on Music & the Moving Image | 2016 | ||
Original Artyfacts: Media, Materiality, and the Role of Reissue Compilation Albums in the Garage Rock Revival Proceeding/Conference:International Association for the Study of Popular Music 19th Biennial Conference | 2017 | ||
Original Artyfacts: Media, Materiality, and the Role of Reissue Compilation Albums in the Garage Rock Revival Proceeding/Conference:20th Congress of the International Musicological Society | 2017 | ||
Tracing Voice: The Human Voice and Its Signification in Early Music Psychology Proceeding/Conference:Congress of the International Musicological Society | 2017 | ||
Jindou: A Musical Form Found in Secular Chinese Songs of the Twelfth-Century Proceeding/Conference:20th Congress of the International Musicological Society | 2017 |