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Article: 贝多芬的空白美学
| Title | 贝多芬的空白美学 |
|---|---|
| Authors | |
| Translator | |
| Keywords | Ludwig van Beethoven Choral Fantasy, Op.80 |
| Issue Date | 2021 |
| Publisher | 北京中央音樂學院學報社. |
| Citation | 中央音乐学院学报, v. 4 n. 6, p. 89-106 How to Cite? Journal of the Central Conservatory of Music, 2021, v. 4 n. 6, p. 89-106 How to Cite? |
| Abstract | 自由在贝多芬音乐中的关键能指是'空白符号',这个符号呈现出多种形式。本文从音乐和哲学两方面追溯了这些空白,以此探索它们的作用和意义。特别是将贝多芬的《合唱幻想曲》视作这种空白的注解,集中阐述作曲家自己将这一符号作为表征自由与进步的创作手法. |
| Persistent Identifier | http://hdl.handle.net/10722/305628 |
| ISSN |
| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | Chua, DKL | - |
| dc.date.accessioned | 2021-10-20T10:12:05Z | - |
| dc.date.available | 2021-10-20T10:12:05Z | - |
| dc.date.issued | 2021 | - |
| dc.identifier.citation | 中央音乐学院学报, v. 4 n. 6, p. 89-106 | - |
| dc.identifier.citation | Journal of the Central Conservatory of Music, 2021, v. 4 n. 6, p. 89-106 | - |
| dc.identifier.issn | 1001-9871 | - |
| dc.identifier.uri | http://hdl.handle.net/10722/305628 | - |
| dc.description.abstract | 自由在贝多芬音乐中的关键能指是'空白符号',这个符号呈现出多种形式。本文从音乐和哲学两方面追溯了这些空白,以此探索它们的作用和意义。特别是将贝多芬的《合唱幻想曲》视作这种空白的注解,集中阐述作曲家自己将这一符号作为表征自由与进步的创作手法. | - |
| dc.language | chi | - |
| dc.publisher | 北京中央音樂學院學報社. | - |
| dc.relation.ispartof | 中央音乐学院学报 | - |
| dc.relation.ispartof | Journal of the Central Conservatory of Music | - |
| dc.subject | Ludwig van Beethoven | - |
| dc.subject | Choral Fantasy, Op.80 | - |
| dc.title | 贝多芬的空白美学 | - |
| dc.type | Article | - |
| dc.identifier.email | Chua, DKL: dchua@hkucc.hku.hk | - |
| dc.identifier.authority | Chua, DKL=rp01212 | - |
| dc.description.nature | link_to_subscribed_fulltext | - |
| dc.identifier.doi | 10.16504/j.cnki.cn11-1183/j.2020.04.008 | - |
| dc.identifier.hkuros | 327798 | - |
| dc.identifier.volume | 4 | - |
| dc.identifier.issue | 6 | - |
| dc.identifier.spage | 89 | - |
| dc.identifier.epage | 106 | - |
| dc.publisher.place | 北京 | - |
| dc.contributor.translator | Sun, Y | - |