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Conference Paper: Spatial rights, aestheticisation of collective memories, and resistance to gentrification in Guangzhou, China

TitleSpatial rights, aestheticisation of collective memories, and resistance to gentrification in Guangzhou, China
Authors
Issue Date2016
Citation
The 2016 International Conference on "On Cities and Citizenship", Singapore University of Technology and Design, Singapore, 8-10 June 2016. How to Cite?
AbstractAs neo-liberalisation adapts its new forms and eventually finds its best ground in the Chinese city, surging tides of urban redevelopment/gentrification are widespread and bring about immense displacement. Consequently, protests and appeals against redevelopment and demolition have become one focal point of Chinese citizen’s weiquan (rights defending) movements. Yet, these movements are often in the form of individual resistance (e.g. the so-called nail households), and rarely lead to progressive results. Little is known about under what circumstances and how citizens could be mobilised and organised in collective resistance. Drawing on an in-depth investigation on the resistance movements against the Enninglu gentrification project in Guangzhou, China, this paper aims to understand how different actors are mobilised together to seek spatial justice and to defend the urban commons, in particular the cultural heritages and collective memories of the historical area of Enninglu area. Since 2005, Guangzhou has seen the rise of neoliberal urban policies. And the city is engulfed in a new wave of gentrification featuring ambitious urban upgrading scheme aiming for growth-seeking and city re-imaging. As a historical area located in the old city core of Guangzhou, Enninglu is threatened by an ambitious gentrification project involving large-scale demolition and displacement. To resist the redevelopment project, Enninglu residents launched a campaign since 2010, involving various forms of resistance. These resistance movements have received great support from activists, volunteers, academics, and local media. This research shows that while local residents’ resistance is motivated by defending their spatial rights, other actors are largely mobilised by the aestheticisation of selective collective memories and cultural values of the historical area. Although incongruence occurs between the two groups owning to the frictions between the ‘conceived space’ and ‘perceived space’, the resistance movements did achieve some modest progresses and forced the local authority modifying the gentrification plan for several times. These resistance movements have gone beyond defending ‘the right to appropriation’, and involved struggles for ‘the right to participation’, although they are still far from seriously challenging the trajectory of (re)urbanisation dominated by neo-liberalisation.
Persistent Identifierhttp://hdl.handle.net/10722/233627

 

DC FieldValueLanguage
dc.contributor.authorHe, S-
dc.date.accessioned2016-09-20T05:38:04Z-
dc.date.available2016-09-20T05:38:04Z-
dc.date.issued2016-
dc.identifier.citationThe 2016 International Conference on "On Cities and Citizenship", Singapore University of Technology and Design, Singapore, 8-10 June 2016.-
dc.identifier.urihttp://hdl.handle.net/10722/233627-
dc.description.abstractAs neo-liberalisation adapts its new forms and eventually finds its best ground in the Chinese city, surging tides of urban redevelopment/gentrification are widespread and bring about immense displacement. Consequently, protests and appeals against redevelopment and demolition have become one focal point of Chinese citizen’s weiquan (rights defending) movements. Yet, these movements are often in the form of individual resistance (e.g. the so-called nail households), and rarely lead to progressive results. Little is known about under what circumstances and how citizens could be mobilised and organised in collective resistance. Drawing on an in-depth investigation on the resistance movements against the Enninglu gentrification project in Guangzhou, China, this paper aims to understand how different actors are mobilised together to seek spatial justice and to defend the urban commons, in particular the cultural heritages and collective memories of the historical area of Enninglu area. Since 2005, Guangzhou has seen the rise of neoliberal urban policies. And the city is engulfed in a new wave of gentrification featuring ambitious urban upgrading scheme aiming for growth-seeking and city re-imaging. As a historical area located in the old city core of Guangzhou, Enninglu is threatened by an ambitious gentrification project involving large-scale demolition and displacement. To resist the redevelopment project, Enninglu residents launched a campaign since 2010, involving various forms of resistance. These resistance movements have received great support from activists, volunteers, academics, and local media. This research shows that while local residents’ resistance is motivated by defending their spatial rights, other actors are largely mobilised by the aestheticisation of selective collective memories and cultural values of the historical area. Although incongruence occurs between the two groups owning to the frictions between the ‘conceived space’ and ‘perceived space’, the resistance movements did achieve some modest progresses and forced the local authority modifying the gentrification plan for several times. These resistance movements have gone beyond defending ‘the right to appropriation’, and involved struggles for ‘the right to participation’, although they are still far from seriously challenging the trajectory of (re)urbanisation dominated by neo-liberalisation.-
dc.languageeng-
dc.relation.ispartofInternational Conference on "On Cities and Citizenship"-
dc.titleSpatial rights, aestheticisation of collective memories, and resistance to gentrification in Guangzhou, China-
dc.typeConference_Paper-
dc.identifier.emailHe, S: sjhe@hku.hk-
dc.identifier.authorityHe, S=rp01996-
dc.identifier.hkuros264451-

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