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Title | Author(s) | Issue Date | |
---|---|---|---|
Music and the Aesthetics of Joy Proceeding/Conference:China Music Aesthetics Society Annual Conference 2021 | 2021 | ||
Music and the Leitmotif in Cinema Book:Representation in Western Music | 2013 | ||
Music as a Trigger for Performances of Meaning: Articulating Emotional Experience through Embodied Minds Proceeding/Conference:International Postgraduate Conference: Art and Emotion | 2013 | ||
Music as the mouthpiece of theology Book:Resonant witness: essays in theology and music | 2011 | ||
Music as the theological mouthpiece of modernity: from Vincenzo Galilei to the Early Romantics Proceeding/Conference:Meeting of Theology and Music Colloquium | 2004 | ||
Music as World/Music Half Heard: The 'Cocktail-Party Effect' between Opera and Cinema Journal:Journal of the Musicological Society of Korea | 2006 | ||
2007 | |||
Music evolution in a complex system of interacting agents Proceeding/Conference:IEEE Congress on Evolutionary Computation, IEEE-CEC 2005 | 2005 | ||
2016 | |||
2021 | |||
Music in the Ear's Mind Book:Music Perception and Cognition II | 2013 | ||
Music in the Hands: The Convergence of Performance Theory and Music Psychology in History Proceeding/Conference:The Fifth Biennial Meeting of the International Musicological Society Regional Association for East Asia (IMSEA) | 2019 | ||
Music is, by its very nature, essentially powerless to express anything at all Book:Stravinsky in Context | 2020 | ||
Music Psychology of the Piano-Playing Hands in Historical Discourse Journal:Journal of Musicology | 2021 | ||
Musical Archaeology and the Prehistory of Chinese Music Book:The Oxford Handbook of Music in China and the Chinese Diaspora | 2021 | ||
Musical intervals as analogues of Cantonese tone contrasts Proceeding/Conference:International Conference on Sino-Tibetan Languages and Linguistics (ICSTLL 47) | 2014 | ||
Musical intervals of tones in Cantonese English Proceeding/Conference:Social and Linguistic Speech Prosody: Proceedings of the 7th International Conference on Speech Prosody | 2014 | ||
Musical Recordings as Mediators of Experiences: Situating 'Der Leiermann' in Ingmar Bergman’s In the Presence of a Clown Proceeding/Conference:NTU-CUHK EARS Music Forum 2016: Music and Mobility | 2016 | ||
Mutual convergence between the Sinitic and Tai-Kadai languages in Southern China Proceeding/Conference:The 29th Meeting of the Southeast Asian Linguistics Society | 2019 | ||
Müller, Johannes Book:Dictionary of Hong Kong Biography | 2011 |