|
covid-19 |
4 |
|
interface ethnography |
4 |
|
online ethnography |
4 |
|
research access |
4 |
|
research ethics |
4 |
|
china |
2 |
|
hong kong |
2 |
|
|
1 |
|
accident |
1 |
|
aesthetics |
1 |
|
capitalist production |
1 |
|
caribbean |
1 |
|
corporations |
1 |
|
creativity |
1 |
|
cross-border productions |
1 |
|
deixis |
1 |
|
empire |
1 |
|
film |
1 |
|
gender |
1 |
|
ghosts |
1 |
|
hollywood |
1 |
|
imagineering |
1 |
|
law |
1 |
|
media ethnography |
1 |
|
media industries |
1 |
|
media production |
1 |
|
military |
1 |
|
motion picture industry -- california -- los angeles -- employees -- social conditions |
1 |
|
motion picture industry -- china -- hong kong -- employees -- social conditions |
1 |
|
motion picture industry -- cross-cultural studies |
1 |
|
national characteristics, american |
1 |
|
national characteristics, chinese |
1 |
|
offshore |
1 |
|
production ethnography |
1 |
|
production studies |
1 |
