|
music |
3 |
|
inferior frontal gyrus |
2 |
|
qin music - japan - 18th century - history and criticism. |
2 |
|
19th-century theories of music |
1 |
|
a collection of yongle qin literature on music(yǒnglè qínshū jíchéng) ( 《永樂琴書集成》) |
1 |
|
absolute music |
1 |
|
adult |
1 |
|
afterimage |
1 |
|
aftersound |
1 |
|
album concept |
1 |
|
autobiographie |
1 |
|
beethoven |
1 |
|
beethoven, ludwig van, -- 1770-1827 |
1 |
|
beethoven, ludwig van, 1770-1827. |
1 |
|
beethoven, ludwig van, 1770-1827. fidelio |
1 |
|
biographie |
1 |
|
chen, zhuo. tang chen zhuo zhi fa. |
1 |
|
chinese poetry -- history and criticism |
1 |
|
choral fantasy |
1 |
|
choral fantasy, op.80 |
1 |
|
choruses, secular (mixed voices, 6 parts), with harp -- scores. |
1 |
|
cinema |
1 |
|
cognition |
1 |
|
continuity |
1 |
|
controlled study |
1 |
|
disability |
1 |
|
effective connectivity |
1 |
|
emmanuel lévinas |
1 |
|
eroica symphony |
1 |
|
ethics |
1 |
|
expression |
1 |
|
extended cognition |
1 |
|
eye movement |
1 |
|
female |
1 |
|
freedom |
1 |
|
french revolution |
1 |
|
georg wilhelm friedrich hegel |
1 |
|
glennie |
1 |
|
guqin music. |
1 |
|
hand |
1 |
|
hearing |
1 |
|
heroic style |
1 |
|
history |
1 |
|
hope -- religious aspects -- christianity |
1 |
|
human |
1 |
|
human/machine interface |
1 |
|
humanism |
1 |
|
immanuel kant |
1 |
|
imperial library of the qing court (天祿琳瑯) |
1 |
|
jiang kui
|
1 |
|
jiang, kui, approximately 1155-approximately 1235 -- criticism and interpretation |
1 |
|
kant and freedom |
1 |
|
legacy |
1 |
|
liberty in music |
1 |
|
linearized time-delayed mutual information |
1 |
|
listening |
1 |
|
ludwig van beethoven |
1 |
|
lyric poetry -- history and criticism |
1 |
|
lyric song |
1 |
|
magnetoencephalography |
1 |
|
monteverdi, claudio, 1567-1643. orfeo |
1 |
|
motion |
1 |
|
motion picture music -- history and criticism |
1 |
|
motion picture music. |
1 |
|
moving and performing body |
1 |
|
mozart, wolfgang amadeus, 1756-1791. |
1 |
|
multidisciplinarity |
1 |
|
music -- religious aspects -- christianity |
1 |
|
music and mind |
1 |
|
music and the body |
1 |
|
music theory |
1 |
|
musical brain and psyche |
1 |
|
musical form
|
1 |
|
musicking body |
1 |
|
médiations |
1 |
|
méthodologie |
1 |
|
ontology |
1 |
|
perceptual ambiguity |
1 |
|
performance theory |
1 |
|
performer |
1 |
|
piano pedagogy |
1 |
|
popular culture - china - hong kong. |
1 |
|
psychology of music |
1 |
|
qin music. |
1 |
|
relationship between words and music
|
1 |
|
romanticism |
1 |
|
shawshank redemption |
1 |
|
songs, chinese -- scores. |
1 |
|
sound technology |
1 |
|
southern song dynasty
|
1 |
|
su, shi,, 1037-1101 -- musical settings. |
1 |
|
subjectivity |
1 |
|
syntactic irregularity |
1 |
|
the complete volumes of qin literature on music(qínshū dàquán) (明內府寫本) |
1 |
|
the golden record |
1 |
|
the hand-copied book of the ming court (《琴書大全》) |
1 |
|
the rite of spring |
1 |
|
the yongle canon(yǒnglè dàdiǎn) (《永樂大典》) |
1 |
|
theodor w. adorno |
1 |
|
vocal sextets with harp -- scores. |
1 |
|
修道院 |
1 |
|
全球化 |
1 |
|
全球音樂學 |
1 |
|
写卷 |
1 |
|
古琴音樂 |
1 |
|
國際音樂學學會(ims) |
1 |
|
布鲁塞尔写本19606 |
1 |
|
懷塔布 |
1 |
|
晉齋 |
1 |
|
校勘學 |
1 |
|
汪孟舒 |
1 |
|
烏絲欄指法釋 |
1 |
|
琴學 |
1 |
|
琴家 |
1 |
|
琴調譜 |
1 |
|
琴譜序 |
1 |
|
荻生徂徠 |
1 |
|
蓉齋 |
1 |
|
陳康士 |
1 |
|
離騷譜 |
1 |
|
黃勉之 |
1 |
