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| Title | Author(s) | Issue Date | Views | |
|---|---|---|---|---|
Interview with Ann Hui: on the edge of the mainstream Book:Hong Kong screenscapes: from the new wave to the digital frontier | 2011 | |||
The Hong Kong New Wave Book:A Companion to Chinese Cinema | 2012 | 28 | ||
Between Comrade and Queer: Stanley Kwan’s HOLD YOU TIGHT (translated into Chinese) Book:In Critical Proximity: The Visual Memories of Stanley Kwan | 2007 | 100 | ||
Women Filmmakers: Ann Hui Book:The International Encyclopedia of Gender, Media, and Communication | 2020 | |||
Chinese Cinema a the Millennium: Defining ‘China’ and the Politics of Representation Book:The International Encyclopedia of Media Studies (Volume III: Content and Representation) | 2013 | |||
Sylvester Stallone and John Rambo’s Trek across Asia: Politics, Performance and American Empire Book:The Ultimate Stallone Reader: Sylvester Stallone as Star, Icon, Auteur | 2014 | |||
Interview with Yau Ching: filming women in Hong Kong’s queerscape Book:Hong Kong screenscapes: from the new wave to the digital frontier | 2011 | |||
Hong Kong as Feminist Method: Gender, Sexuality, and Democracy in Two Documentaries by Tammy Cheung Book:Hong Kong Culture and Society in the New Millennium: Hong Kong as Method | 2017 | |||
Asian film and digital culture Book:The Oxford handbook of film and media studies | 2008 | 122 | ||
The Way We Are: Tin Shui Wai: Days and Nights (Ann Hui, 2008) Book:Directory of World Cinema: China 2 | 2015 | 154 | ||
Bicycle thieves and pickpockets in the ‘Desert of the real’: transnational Chinese cinema, postmodernism, and the transcendental style Book:East Asian Cinemas: Regional Flows and Global Transformations | 2011 | |||
Hong Kong screenscapes: an introduction Book:Hong Kong screenscapes: from the new wave to the digital frontier | 2011 | 111 | ||
Lean In or Bend Over? Postfeminism, Neoliberalism, and Hong Kong's Wonder Women Book:Emergent Feminisms: Complicating a Postfeminist Media Culture | 2018 | 77 | ||
Transamerica: Queer Cinema in the Middle of the Road Book:Hit the road, Jack: essays on the culture of the American road | 2012 | 69 | ||
Brecht in Hong Kong: Evans Chan's THE LIFE AND TIMES OF WU ZHONG XIAN Book:Postcolonialism, Diaspora, and Alternative Histories: The Cinema of Evans Chan | 2015 | 54 | ||
'Asia' and Asian Cinema Book:The Palgrave Handbook of Asian Cinema | 2018 | 44 | ||
From Mao’s ‘Continuous Revolution’ to Ning Ying’s Perpetual Motion (2005): sexual politics, neoliberalism, and postmodern China Book:Chinese women’s cinema: transnational contexts | 2011 | 146 | ||
ROMEO MUST DIE: Interracial Romance in Action Book:The Persistence of Whiteness, Race and Contemporary Hollywood Cinema | 1991 | 144 | ||
Chan, Evans Book:Encyclopedia of the Documentary Film | 2006 | 29 | ||
In the Mood for Love (2000), Wong Kar Wai Book:Film analysis: a Norton reader (2nd ed.) | 2013 | 205 | ||
Cinemas of the Chinese diaspora Book:The Chinese cinema book | 2011 | |||
Eileen Chang and Ang Lee at the movies: the Cinematic Politics of Lust, Caution Book:Eileen Chang: Romancing Languages, Cultures and Genres | 2012 | 265 | ||
Maggie Cheung in In the Mood for Love Book:Close-Up: Great Cinematic Performances, Volume 2: International | 2018 | 47 | ||
Feminism, Postfeminism, and Hong Kong Women Filmmakers Book:A Companion to Hong Kong Cinema | 2015 | |||
Introduction: Chinese Connections Critical Perspectives on Film, Identity, and Diaspora Book:Chinese Connections: Critical Perspectives on Film, Identity, and Diaspora | 2009 |