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Title | Author(s) | Issue Date | |
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2004 | |||
2005 | |||
2021 | |||
2000 | |||
1985 | |||
There's no 'There' There: Su Renshan's search for Utopia in 19th century Guangdong Proceeding/Conference:HKU Fine Arts Department Research Seminar | 2006 | ||
Tools and resources of academic literacy Proceeding/Conference:English-in-the-Disciplines and Academic Literacy Seminar Series | 2011 | ||
The Topographical Aesthetic in French Tourism and Landscape Journal:Nineteenth-Century Art Worldwide (http://19thc-artworldwide.org/) | 2002 | ||
1999 | |||
Transformations from the Verbal to the Visual: Artistic Representations of Mystic Marriage Proceeding/Conference:International Medieval Congress, IMC 2000 | 2000 | ||
Tsang Tsou-choi (The King of Kowloon) Book:Paris-Pekin | 2002 | ||
1997 | |||
Wenhuajiande duihua yu yishu chuangxin:yi Teng Baiye he Make Tuobi wei li Journal:Shuimo Yanjiu | 2004 | ||
Where Are We Now?M+ and the Uncertain Future of Hong Kong Journal:October | 1-Jun-2023 | ||
Who owns language? Mother tongues as intellectual property Proceeding/Conference:IAISLC International Symposium on ‘The Native Speaker and the Mother Tongue’ | 2008 | ||
Why a Global Museum is Impossible Proceeding/Conference:Changing Paradigms: Globalisation and Cultural Studies | 2000 | ||
Withdrawal and absorption: the painting of Chu Hing-Wah Journal:Hong Kong Economic Journal | 1995 | ||
Women and modernity in the Parks of Paris Proceeding/Conference:Annual Conference of the Collage Art Association, CAA 2001 | 2001 | ||
Women in Public: The Display of Femininity in the Parks of Paris Book:The Invisible Flaneuse: Gender, Public Space, and Visual Culture in Nineteenth-Century Paris | 2006 | ||
2000 |