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| Title | Author(s) | Issue Date | |
|---|---|---|---|
Women as sex workers in two HKSAR films: Herman Yau and Elsa Chan (Yeeshan)’s Whispers and Moans and True Women for Sale Proceeding/Conference:International Conference on Global Capitalism, Socialist Markets, and Feminist Interventions | 2014 | ||
Hong Kong women filmmakers: working beyond the nation Proceeding/Conference:Conference on Transnational Cinema/Media Studies | 2014 | ||
Clara Law's RED EARTH: the HKIFF and the cultural politics of the sponsored short Proceeding/Conference:Chinese Film Festival Studies Conference | 2014 | ||
LIKE A DREAM: Asian American Masculinity and Transnational Chinese Cinema Proceeding/Conference:Annual Conference of the American Studies Network, USCET-ASN 2013 | 2013 | ||
Jean-Luc Godard?s La Chinoise (1967): Engaging Mao on French screens? Proceeding/Conference:International Workshop on 'China and the World in Mao's Last Decade, 1966-1976' | 2009 | ||
Bicycle thieves and pickpockets: transnational Chinese cinema, postmodernism, and the transcendental style Proceeding/Conference:International Symposium on 'Cross-cultural Perspectives on the current state of East Asian Cinemas' | 2008 | ||
The Cinematic Politics of LUST, CAUTION? Proceeding/Conference:International Symposium on 'Eileen Chang: Romancing Two Cultures' | 2009 | ||
Gender Politics and History: Ann Hui's The Postmodern Life of my Aunt Proceeding/Conference:Symposium and International Videoconference on 'Transnational East Asian Cinema since 1997' | 2008 | ||
Lust, Caution: China, Japan, and the KMT on Screen--Present and Past? Proceeding/Conference:Alt-SCMS: The JIU Media Studies Department Media Workshop | 2009 | ||
Brecht in Hong Kong: Performing the Facts and Documenting the Performance in Evans Chan's The Life and Times of Wu Zhongxian (2003)' Proceeding/Conference:1st Conference of Hong Kong Documentary Film, the Regional Context and Theoretical Perspectives | 2009 | ||
Questions of realism and Chinese-Language Cinema: locating Patrick Tam's After This Our Exile within the 'Desert of the Real' Proceeding/Conference:Conference on 'Locality, Translocality, and De-Locality: Cultural, Aesthetic, and Political Dynamics of Chinese-Language Cinema' | 2008 | ||
Using a Massive Open Online Course (MOOC) in a Crisis Proceeding/Conference:HKTEA Teaching Ambassadors Series (HKU) via Zoom | 2020 | ||
Production for Festival Use: Hong Kong Women Filmmakers, International Circuits, Regional Networks, and Ann Hui’s My Way Proceeding/Conference:Global Storytelling Symposium | 2020 | ||
Using a Massive Open Online Course (MOOC) in a Crisis Proceeding/Conference:Teacher Experience Sharing Session, Chinese University of Hong Kong (via Zoom) | 2020 | ||
Authentic Digital Assessment: Online Conversations Proceeding/Conference:Half-Day Virtual Forum: Online T&L 2019-2020: The HKU Experience | 2020 | ||
Women as Cultural Intermediaries within the Chinese Diaspora: The Search for Esther Eng in S. Louisa Wei’s Golden Gate Girls (2013) Proceeding/Conference:The Cultural Intermediaries in the East Asian Film Industries Conference | 2019 | ||
Independent Film/Independent Women: Yang Mingming’s Female Directors (2012) and Girls Always Happy (2018) – #MeToo in the PRC Proceeding/Conference:Reassessing Chinese Independent Cinema: Past, Present… and Future? Conference | 2021 | ||
Hong Kong Cinema on Borrowed Time in a Pandemic Proceeding/Conference:Backreading Hong Kong Symposium: COVID-19 and Humanities Research in Hong Kong | 2020 | ||
The Queer Gaze across the Gay-Straight Generational Divide: Mothers and Daughters in Small Talk (2016) and A Dog Barking at the Moon (2019) Proceeding/Conference:Queer Representation: Pasts, Presents, Futures Conference | 2021 | ||
#MeToo and Film School in the PRC: Yang Mingming’s Female Directors (2012) and Girls Always Happy (2018) Proceeding/Conference:Teaching Women’s Filmmaking Online Conference, Department of Film and Television, Istanbul Bilgi University | 2021 | ||
Citing China: Politics, Postmodernism, and World Cinema Proceeding/Conference:Lecture, University of California, Davis | 2019 | ||
MOOCs as part of your COVID-19 crisis plan Proceeding/Conference:CETL (Centre for the Enhancement of Teaching and Learning): Teaching and Learning Connections, the University of Hong Kong | 2020 | ||
Teaching in Times of Protest Proceeding/Conference:CETL (Centre for the Enhancement of Teaching and Learning): Teaching and Learning Connections, the University of Hong Kong | 2020 | ||
HKSAR women filmmakers' images of activism Proceeding/Conference:Post-Asia Film, Media and Popular Culture Conference | 2014 | ||
Hong Kong women filmmakers' visions of the 21st century Proceeding/Conference:Symposium on Envisioning Chinese Cinemas in the 21st Century | 2013 |