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Article: Bill & Ted’s Retcon Adventures: The Do-it-Later Retroactive Solution

TitleBill & Ted’s Retcon Adventures: The Do-it-Later Retroactive Solution
Authors
Issue Date30-May-2025
PublisherMAST-journal.org
Citation
MAST: the journal of media, art, study, and theory, 2025, v. 6, n. 1, p. 50-71 How to Cite?
Abstract

The Bill & Ted film series has always employed a unique narrative device yet to be discussed in detail. In the series' first two films, the titular characters use a “do it later” approach through time travel, which I call “retroactive solution”, to solve the narrative problems at the respective climaxes. It has the same retroactive nature as the narrative device of retroactive continuity, or retcon, which is an inevitable but problematic plot device that facilitates reboots and sequels. The third, presumably final, film, Bill and Ted Face the Music (2020), would inadvertently pit these two narrative devices against each other and create a paradox. Through a series of analyses employing analytical philosophies of time travel and historicization, this paper synthesizes the two narrative devices, temporal paradoxes, Capitalist credit economies, and personal “mid-life crises” into the Bill & Ted series. In the process, it illuminates the usefulness of the time-travel genre for narratological case studies and cultural commentaries.


Persistent Identifierhttp://hdl.handle.net/10722/362054

 

DC FieldValueLanguage
dc.contributor.authorLee, Leiya-
dc.date.accessioned2025-09-19T00:31:22Z-
dc.date.available2025-09-19T00:31:22Z-
dc.date.issued2025-05-30-
dc.identifier.citationMAST: the journal of media, art, study, and theory, 2025, v. 6, n. 1, p. 50-71-
dc.identifier.urihttp://hdl.handle.net/10722/362054-
dc.description.abstract<p>The Bill & Ted film series has always employed a unique narrative device yet to be discussed in detail. In the series' first two films, the titular characters use a “do it later” approach through time travel, which I call “retroactive solution”, to solve the narrative problems at the respective climaxes. It has the same retroactive nature as the narrative device of retroactive continuity, or retcon, which is an inevitable but problematic plot device that facilitates reboots and sequels. The third, presumably final, film, Bill and Ted Face the Music (2020), would inadvertently pit these two narrative devices against each other and create a paradox. Through a series of analyses employing analytical philosophies of time travel and historicization, this paper synthesizes the two narrative devices, temporal paradoxes, Capitalist credit economies, and personal “mid-life crises” into the Bill & Ted series. In the process, it illuminates the usefulness of the time-travel genre for narratological case studies and cultural commentaries.<br></p>-
dc.languageeng-
dc.publisherMAST-journal.org-
dc.relation.ispartofMAST: the journal of media, art, study, and theory-
dc.rightsThis work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.-
dc.titleBill & Ted’s Retcon Adventures: The Do-it-Later Retroactive Solution-
dc.typeArticle-
dc.description.naturepublished_or_final_version-
dc.identifier.doi10.59547/26911566.6.1.05-
dc.identifier.volume6-
dc.identifier.issue1-
dc.identifier.spage50-
dc.identifier.epage71-
dc.identifier.eissn2691-1566-
dc.identifier.issnl2691-1566-

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