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Book Chapter: Gendering Intersubjectivity in New Chinese Documentary: Feminist Multiplicity and Vulnerable Masculinity in Postsocialist China

TitleGendering Intersubjectivity in New Chinese Documentary: Feminist Multiplicity and Vulnerable Masculinity in Postsocialist China
Authors
Wong, Ka Hin Alvin
Issue Date15-Dec-2016
Abstract

This essay examines how gendering works at the intersubjective level that involves the power dynamics across the filmmaker, the filmed subjects, and audience reception in Chinese documentary films. It discusses Xu Tong's Wheat Harvest (2008) and Hu Xinyu's The Man (2002) as key texts in these debates.


Persistent Identifierhttp://hdl.handle.net/10722/352092
ISBN
9781442270237

 

DC FieldValueLanguage
dc.contributor.authorWong, Ka Hin Alvin-
dc.date.accessioned2024-12-14T00:35:12Z-
dc.date.available2024-12-14T00:35:12Z-
dc.date.issued2016-12-15-
dc.identifier.isbn9781442270237-
dc.identifier.urihttp://hdl.handle.net/10722/352092-
dc.description.abstract<p>This essay examines how gendering works at the intersubjective level that involves the power dynamics across the filmmaker, the filmed subjects, and audience reception in Chinese documentary films. It discusses Xu Tong's Wheat Harvest (2008) and Hu Xinyu's The Man (2002) as key texts in these debates.</p>-
dc.languageeng-
dc.relation.ispartofFilming the Everyday: Independent Documentaries in Twenty-First Century China-
dc.titleGendering Intersubjectivity in New Chinese Documentary: Feminist Multiplicity and Vulnerable Masculinity in Postsocialist China-
dc.typeBook_Chapter-
dc.identifier.spage119-
dc.identifier.epage133-
dc.identifier.eisbn9781442270251-

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