String resonance in music textures : a practitioner's perspective

Abstract

Instrumental resonance, particularly within string instruments, has significant potential for creating diverse tonal effects. This potential includes natural resonance, which is inherent within the body of the instrument, ensemble resonance, as observed in the synergistic interplay of notes between multiple instruments, and artificial resonance, a phenomenon that mimics the form of naturally occurring resonance. The exploration of these resonances can yield new insights into the depth and richness of the sound that can be achieved, and therefore warrants further investigation. The subject of resonance is an established topic in orchestration, but it has yet to be thoroughly examined in terms of its practical implications on music composition, especially regarding contemporary musical textures. This thesis aims to fill this gap in knowledge. Adopting a practitioner’s lens, the influence of string resonance on musical textures will be rigorously investigated. Drawing upon Western and Chinese orchestral string instruments, this research meticulously describes and analyses the factors that affect string resonance and their profound impact on music textures in music composition. By exploring various properties inherent in string resonance, composers can create music textures with distinct character. In addition, this thesis explores the utilization of resonance in the works of post-serial American composer George Crumb. Crumb’s innovative application of resonance within his compositions exemplifies the creative possibilities that arise from skilful utilization of this sonic element. The second half of this thesis presents a portfolio of eight original compositions that illustrate the findings and research outcomes of this study.