File Download

There are no files associated with this item.

  Links for fulltext
     (May Require Subscription)
  • Find via Find It@HKUL
Supplementary

Article: Confessing Unrepresentability: Photography and Panoramic Depiction in Tayama Katai’s Russo-Japanese War Diary

TitleConfessing Unrepresentability: Photography and Panoramic Depiction in Tayama Katai’s Russo-Japanese War Diary
Authors
Issue Date1-Feb-2026
PublisherThe Society for Japanese Studies
Citation
Journal of Japanese Studies, 2026, v. 52, n. 1 How to Cite?
Abstract

This article examines Tayama Katai’s (1872–1930) war diary Dainigun jūsei nikki (Diary of the Second Army going to war, 1905) to elucidate the relation between photography and the panoramic depiction in his writing on the Russo-Japanese War (1904–1905). Concretely, it focuses on Katai’s effort to depict war through panoramic views informed by photography. I argue that Katai’s experience of failing to deliver an objective and realistic description of war contributed to his notion of realism and a quasi-confessional style in his subsequent works.


Persistent Identifierhttp://hdl.handle.net/10722/338182
ISSN
2023 Impact Factor: 0.2
2023 SCImago Journal Rankings: 0.117

 

DC FieldValueLanguage
dc.contributor.authorMichielsen, Edwin-
dc.date.accessioned2024-03-11T10:26:53Z-
dc.date.available2024-03-11T10:26:53Z-
dc.date.issued2026-02-01-
dc.identifier.citationJournal of Japanese Studies, 2026, v. 52, n. 1-
dc.identifier.issn0095-6848-
dc.identifier.urihttp://hdl.handle.net/10722/338182-
dc.description.abstract<p>This article examines Tayama Katai’s (1872–1930) war diary Dainigun jūsei nikki (Diary of the Second Army going to war, 1905) to elucidate the relation between photography and the panoramic depiction in his writing on the Russo-Japanese War (1904–1905). Concretely, it focuses on Katai’s effort to depict war through panoramic views informed by photography. I argue that Katai’s experience of failing to deliver an objective and realistic description of war contributed to his notion of realism and a quasi-confessional style in his subsequent works.</p>-
dc.languageeng-
dc.publisherThe Society for Japanese Studies-
dc.relation.ispartofJournal of Japanese Studies-
dc.titleConfessing Unrepresentability: Photography and Panoramic Depiction in Tayama Katai’s Russo-Japanese War Diary-
dc.typeArticle-
dc.identifier.volume52-
dc.identifier.issue1-
dc.identifier.eissn1549-4721-
dc.identifier.issnl0095-6848-

Export via OAI-PMH Interface in XML Formats


OR


Export to Other Non-XML Formats