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- Publisher Website: 10.3390/su11030625
- Scopus: eid_2-s2.0-85060526804
- WOS: WOS:000458929500070
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Article: The formation of government-oriented creative community and its driving mechanisms: A case study of the 39° space art creative community in Foshan, China
Title | The formation of government-oriented creative community and its driving mechanisms: A case study of the 39° space art creative community in Foshan, China |
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Authors | |
Keywords | 39° creative community Community structure Driving mechanisms Government-oriented creative community Urban area |
Issue Date | 2019 |
Citation | Sustainability (Switzerland), 2019, v. 11, n. 3, article no. 625 How to Cite? |
Abstract | With the arrival of the era of the creative economy, the "creative community", a joint product of the regional/community revival movement and the localization of cultural and creative industries, has become a new goal of sustainable urban development. Creative communities can be government-oriented (top-down), or they can involve a sequence of autogenic developments (bottom-up) depending on the initial motivating force behind their formation. This paper provides a case study of the government-oriented Foshan 39° Space Art Creative Community (hereinafter, the 39° Community), though questionnaires, interviews, field observations, and other methods, to obtain a better understanding of how government-oriented creative communities formed. The paper discusses the mechanisms driving such communities in Chinese cities by constructing a driving mechanism model. The results show that policy decisions, under a special policy and industrial background jointly provided by the Foshan municipal government and the Nanhai District government together, is the initial impetus for the emergence of the 39° Community. The community has a concise and flexible organizational structure, creative community members, reasonable community function partitioning, a vibrant and innovative environment, and a variety of creative elements. Finally, the key to the sustainable development of the government-oriented creative community lies in the combined effect of endogenous and exogenous motivations that include a strong support from the local government, market demand, a favorable location, highquality community services, and creative spirit. High-quality community service is a critical factor in the interaction between exogenous forces and endogenous factors because it can create bridges among governments, enterprises, employees, and the community. |
Persistent Identifier | http://hdl.handle.net/10722/333360 |
ISI Accession Number ID |
DC Field | Value | Language |
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dc.contributor.author | Jiang, Yanfeng | - |
dc.contributor.author | Qian, Qinglan | - |
dc.contributor.author | Zhang, Xiaoling | - |
dc.contributor.author | Chen, Yingbiao | - |
dc.date.accessioned | 2023-10-06T05:18:45Z | - |
dc.date.available | 2023-10-06T05:18:45Z | - |
dc.date.issued | 2019 | - |
dc.identifier.citation | Sustainability (Switzerland), 2019, v. 11, n. 3, article no. 625 | - |
dc.identifier.uri | http://hdl.handle.net/10722/333360 | - |
dc.description.abstract | With the arrival of the era of the creative economy, the "creative community", a joint product of the regional/community revival movement and the localization of cultural and creative industries, has become a new goal of sustainable urban development. Creative communities can be government-oriented (top-down), or they can involve a sequence of autogenic developments (bottom-up) depending on the initial motivating force behind their formation. This paper provides a case study of the government-oriented Foshan 39° Space Art Creative Community (hereinafter, the 39° Community), though questionnaires, interviews, field observations, and other methods, to obtain a better understanding of how government-oriented creative communities formed. The paper discusses the mechanisms driving such communities in Chinese cities by constructing a driving mechanism model. The results show that policy decisions, under a special policy and industrial background jointly provided by the Foshan municipal government and the Nanhai District government together, is the initial impetus for the emergence of the 39° Community. The community has a concise and flexible organizational structure, creative community members, reasonable community function partitioning, a vibrant and innovative environment, and a variety of creative elements. Finally, the key to the sustainable development of the government-oriented creative community lies in the combined effect of endogenous and exogenous motivations that include a strong support from the local government, market demand, a favorable location, highquality community services, and creative spirit. High-quality community service is a critical factor in the interaction between exogenous forces and endogenous factors because it can create bridges among governments, enterprises, employees, and the community. | - |
dc.language | eng | - |
dc.relation.ispartof | Sustainability (Switzerland) | - |
dc.subject | 39° creative community | - |
dc.subject | Community structure | - |
dc.subject | Driving mechanisms | - |
dc.subject | Government-oriented creative community | - |
dc.subject | Urban area | - |
dc.title | The formation of government-oriented creative community and its driving mechanisms: A case study of the 39° space art creative community in Foshan, China | - |
dc.type | Article | - |
dc.description.nature | link_to_subscribed_fulltext | - |
dc.identifier.doi | 10.3390/su11030625 | - |
dc.identifier.scopus | eid_2-s2.0-85060526804 | - |
dc.identifier.volume | 11 | - |
dc.identifier.issue | 3 | - |
dc.identifier.spage | article no. 625 | - |
dc.identifier.epage | article no. 625 | - |
dc.identifier.eissn | 2071-1050 | - |
dc.identifier.isi | WOS:000458929500070 | - |