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Article: Reframing the ‘Violence’ of Mixed Martial Arts: The ‘Art’ of the fight

TitleReframing the ‘Violence’ of Mixed Martial Arts: The ‘Art’ of the fight
Authors
KeywordsAesthetics
Distinction
Media framing
Mixed-Martial Arts
Violence
Issue Date2017
Citation
Poetics, 2017, v. 62, p. 15-28 How to Cite?
AbstractThis paper deploys conceptual and analytical tools from cultural sociology to analyze Mixed Martial Arts (MMA). While often characterized as violent and uncivilized, MMA has a core following of fans who watch MMA and consume MMA media out of an interest in the aesthetics of the sport. As salient actors within the ‘internally legitimate’ sphere of the sport, this paper explores the way the MMA media construct symbolic boundaries around different kinds of fights through aesthetic and moral evaluations. Through qualitative content analysis of MMA media discourse, I attempt to reconstruct their general aesthetic principles, demonstrating a fourfold typology of MMA in practice: repulsive ‘excessive violence’, boring ‘insufficient action’, soft ‘palatable practices’, and sublime ‘aesthetic violence’. This framework allows the MMA media as ‘connoisseurs’ to create hierarchical ‘distinctions’ between their aesthetic attitudes and those of more casual ‘mass’ audiences. This research may prove useful for scholars interested in MMA, culture, and sports media studies.
Persistent Identifierhttp://hdl.handle.net/10722/330544
ISSN
2023 Impact Factor: 2.0
2023 SCImago Journal Rankings: 0.858
ISI Accession Number ID

 

DC FieldValueLanguage
dc.contributor.authorBrett, Gordon-
dc.date.accessioned2023-09-05T12:11:40Z-
dc.date.available2023-09-05T12:11:40Z-
dc.date.issued2017-
dc.identifier.citationPoetics, 2017, v. 62, p. 15-28-
dc.identifier.issn0304-422X-
dc.identifier.urihttp://hdl.handle.net/10722/330544-
dc.description.abstractThis paper deploys conceptual and analytical tools from cultural sociology to analyze Mixed Martial Arts (MMA). While often characterized as violent and uncivilized, MMA has a core following of fans who watch MMA and consume MMA media out of an interest in the aesthetics of the sport. As salient actors within the ‘internally legitimate’ sphere of the sport, this paper explores the way the MMA media construct symbolic boundaries around different kinds of fights through aesthetic and moral evaluations. Through qualitative content analysis of MMA media discourse, I attempt to reconstruct their general aesthetic principles, demonstrating a fourfold typology of MMA in practice: repulsive ‘excessive violence’, boring ‘insufficient action’, soft ‘palatable practices’, and sublime ‘aesthetic violence’. This framework allows the MMA media as ‘connoisseurs’ to create hierarchical ‘distinctions’ between their aesthetic attitudes and those of more casual ‘mass’ audiences. This research may prove useful for scholars interested in MMA, culture, and sports media studies.-
dc.languageeng-
dc.relation.ispartofPoetics-
dc.subjectAesthetics-
dc.subjectDistinction-
dc.subjectMedia framing-
dc.subjectMixed-Martial Arts-
dc.subjectViolence-
dc.titleReframing the ‘Violence’ of Mixed Martial Arts: The ‘Art’ of the fight-
dc.typeArticle-
dc.description.naturelink_to_subscribed_fulltext-
dc.identifier.doi10.1016/j.poetic.2017.03.002-
dc.identifier.scopuseid_2-s2.0-85017550751-
dc.identifier.volume62-
dc.identifier.spage15-
dc.identifier.epage28-
dc.identifier.isiWOS:000403127300002-

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