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Article: Neoliberalism and Neocolonialism in Nadia Prado’s ©Copyright (2003): Towards a Decolonial Reading

TitleNeoliberalism and Neocolonialism in Nadia Prado’s ©Copyright (2003): Towards a Decolonial Reading
Authors
Issue Date2021
PublisherSage Publications Ltd. The Journal's web site is located at http://www.sagepub.co.uk/journal.aspx?pid=105512
Citation
Cultural Dynamics, Forthcoming How to Cite?
AbstractThis paper reads Nadia Prado’s poetry collection ©Copyright (2003) from a decolonial perspective, based on Walter Mignolo’s conceptualization of history as heterogeneous and decentred, aspects that I argue also permeate subjectivity and poetic expression. The poem delves into criticism of both Chilean neoliberal reality and a wider Latin American context in which the US has become a new economic and cultural hegemonic entity to be resisted from the margins. As a follow-up from the poetry/performance work Poesía es + (2002), co-authored with Malú Urriola, ©Copyright explores expression or its lack thereof within a profit-driven Chilean democratic transitional moment. Prado’s poetry opens up space that paves the way for a deep critique of neo-colonialism and neoliberalism. At the same time, this poem becomes part of a larger corpus of poetic, narrative and critical work that has compiled concerns and discontents since neoliberalism was imposed in Chile.
Persistent Identifierhttp://hdl.handle.net/10722/304588
ISSN
2020 SCImago Journal Rankings: 0.176

 

DC FieldValueLanguage
dc.contributor.authorFernandez Melleda, BX-
dc.date.accessioned2021-10-05T02:32:17Z-
dc.date.available2021-10-05T02:32:17Z-
dc.date.issued2021-
dc.identifier.citationCultural Dynamics, Forthcoming-
dc.identifier.issn0921-3740-
dc.identifier.urihttp://hdl.handle.net/10722/304588-
dc.description.abstractThis paper reads Nadia Prado’s poetry collection ©Copyright (2003) from a decolonial perspective, based on Walter Mignolo’s conceptualization of history as heterogeneous and decentred, aspects that I argue also permeate subjectivity and poetic expression. The poem delves into criticism of both Chilean neoliberal reality and a wider Latin American context in which the US has become a new economic and cultural hegemonic entity to be resisted from the margins. As a follow-up from the poetry/performance work Poesía es + (2002), co-authored with Malú Urriola, ©Copyright explores expression or its lack thereof within a profit-driven Chilean democratic transitional moment. Prado’s poetry opens up space that paves the way for a deep critique of neo-colonialism and neoliberalism. At the same time, this poem becomes part of a larger corpus of poetic, narrative and critical work that has compiled concerns and discontents since neoliberalism was imposed in Chile.-
dc.languageeng-
dc.publisherSage Publications Ltd. The Journal's web site is located at http://www.sagepub.co.uk/journal.aspx?pid=105512-
dc.relation.ispartofCultural Dynamics-
dc.rightsAuthor(s), Contribution Title, Journal Title (Journal Volume Number and Issue Number) pp. xx-xx. Copyright © [year] (Copyright Holder). DOI: [DOI number].-
dc.titleNeoliberalism and Neocolonialism in Nadia Prado’s ©Copyright (2003): Towards a Decolonial Reading-
dc.typeArticle-
dc.identifier.emailFernandez Melleda, BX: bfernan@hku.hk-
dc.identifier.authorityFernandez Melleda, BX=rp02596-
dc.identifier.hkuros326469-
dc.identifier.volumeForthcoming-
dc.publisher.placeUnited Kingdom-

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