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Article: Decoding The Trading Floor: Charting a Postcolonial Hong Kong Identity through The TV Screen
| Title | Decoding The Trading Floor: Charting a Postcolonial Hong Kong Identity through The TV Screen |
|---|---|
| Authors | |
| Keywords | Hong Kong Financial Crime Thriller Postcolonial Identity Local Transnational |
| Issue Date | 2019 |
| Publisher | Universita degli Studi di Bologna, Dipartimento delle Arti. The Journal's web site is located at http://series.unibo.it/ |
| Citation | Series, 2019, v. 5 n. 2, p. 83-94 How to Cite? |
| Abstract | trends in television production. It demonstrates that the small screen has become a means of grappling with postcolonial Hong Kong identity, and that this is most noticeable in its reinvention of the genre of the financial crime thriller. This analysis must be considered against the background of two new developments in television: the growth of transnational collaborations intended to appeal to the Asian market and the advent of TV series that replicate the experimentation of American shows and dispense with the traditional episodic narrative. |
| Persistent Identifier | http://hdl.handle.net/10722/286653 |
| ISSN | 2023 SCImago Journal Rankings: 0.164 |
| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | Yee, WLM | - |
| dc.date.accessioned | 2020-09-04T13:28:35Z | - |
| dc.date.available | 2020-09-04T13:28:35Z | - |
| dc.date.issued | 2019 | - |
| dc.identifier.citation | Series, 2019, v. 5 n. 2, p. 83-94 | - |
| dc.identifier.issn | 2421-454X | - |
| dc.identifier.uri | http://hdl.handle.net/10722/286653 | - |
| dc.description.abstract | trends in television production. It demonstrates that the small screen has become a means of grappling with postcolonial Hong Kong identity, and that this is most noticeable in its reinvention of the genre of the financial crime thriller. This analysis must be considered against the background of two new developments in television: the growth of transnational collaborations intended to appeal to the Asian market and the advent of TV series that replicate the experimentation of American shows and dispense with the traditional episodic narrative. | - |
| dc.language | eng | - |
| dc.publisher | Universita degli Studi di Bologna, Dipartimento delle Arti. The Journal's web site is located at http://series.unibo.it/ | - |
| dc.relation.ispartof | Series | - |
| dc.rights | This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. | - |
| dc.subject | Hong Kong | - |
| dc.subject | Financial Crime Thriller | - |
| dc.subject | Postcolonial Identity | - |
| dc.subject | Local | - |
| dc.subject | Transnational | - |
| dc.title | Decoding The Trading Floor: Charting a Postcolonial Hong Kong Identity through The TV Screen | - |
| dc.type | Article | - |
| dc.identifier.email | Yee, WLM: yeelmw@hku.hk | - |
| dc.identifier.authority | Yee, WLM=rp01401 | - |
| dc.description.nature | published_or_final_version | - |
| dc.identifier.doi | 10.6092/issn.2421-454X/9159 | - |
| dc.identifier.hkuros | 314068 | - |
| dc.identifier.volume | 5 | - |
| dc.identifier.issue | 2 | - |
| dc.identifier.spage | 83 | - |
| dc.identifier.epage | 94 | - |
| dc.publisher.place | Italy | - |
| dc.identifier.issnl | 2421-454X | - |