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Article: Great Journeys In Little Spaces: Buddhist Matters In Khyentse Norbu’s Travellers And Magicians

TitleGreat Journeys In Little Spaces: Buddhist Matters In Khyentse Norbu’s Travellers And Magicians
Authors
KeywordsDzongsar Khyentse
Road Movie
Vajrayāna Buddhism
Bhutan
Issue Date2018
PublisherAcademy of Buddhist Studies, Dongguk University. The Journal's web site is located at http://www.dbpia.co.kr/Journal/IssueList/PLCT00006917
Citation
International Journal of Buddhist Thought and Culture, 2018, v. 28 n. 2, p. 205-223 How to Cite?
AbstractTravellers and Magicians (2003) is a road movie incorporating elements of neorealism. It was directed by Dzongsar Jamyang Khyentse Norbu (1961-present) and filmed in its entirety in Bhutan and with an all-Bhutanese cast that, soon after its release, attracted world-wide attention. In its visually unassuming style, the film succeeds in tracing the delusional trajectories of human desire from a Buddhist perspective. The intimate space created by the film’s focus on a few characters, its slow narrative pace, minimalistic dialogue, and arresting yet unembellished mise-en-scène, succeeds in luring viewers into a comfortable dream-like space that incites.
Persistent Identifierhttp://hdl.handle.net/10722/272017
ISSN
2023 Impact Factor: 0.2
ISI Accession Number ID

 

DC FieldValueLanguage
dc.contributor.authorHalkias, G-
dc.date.accessioned2019-07-20T10:34:03Z-
dc.date.available2019-07-20T10:34:03Z-
dc.date.issued2018-
dc.identifier.citationInternational Journal of Buddhist Thought and Culture, 2018, v. 28 n. 2, p. 205-223-
dc.identifier.issn1598-7914-
dc.identifier.urihttp://hdl.handle.net/10722/272017-
dc.description.abstractTravellers and Magicians (2003) is a road movie incorporating elements of neorealism. It was directed by Dzongsar Jamyang Khyentse Norbu (1961-present) and filmed in its entirety in Bhutan and with an all-Bhutanese cast that, soon after its release, attracted world-wide attention. In its visually unassuming style, the film succeeds in tracing the delusional trajectories of human desire from a Buddhist perspective. The intimate space created by the film’s focus on a few characters, its slow narrative pace, minimalistic dialogue, and arresting yet unembellished mise-en-scène, succeeds in luring viewers into a comfortable dream-like space that incites.-
dc.languageeng-
dc.publisherAcademy of Buddhist Studies, Dongguk University. The Journal's web site is located at http://www.dbpia.co.kr/Journal/IssueList/PLCT00006917-
dc.relation.ispartofInternational Journal of Buddhist Thought and Culture-
dc.subjectDzongsar Khyentse-
dc.subjectRoad Movie-
dc.subjectVajrayāna Buddhism-
dc.subjectBhutan-
dc.titleGreat Journeys In Little Spaces: Buddhist Matters In Khyentse Norbu’s Travellers And Magicians-
dc.typeArticle-
dc.identifier.emailHalkias, G: halkias@hku.hk-
dc.identifier.authorityHalkias, G=rp01848-
dc.description.naturelink_to_subscribed_fulltext-
dc.identifier.doi10.16893/IJBTC.2018.12.28.2.205-
dc.identifier.hkuros299085-
dc.identifier.volume28-
dc.identifier.issue2-
dc.identifier.spage205-
dc.identifier.epage223-
dc.identifier.isiWOS:000460210100009-
dc.publisher.placeSeoul-
dc.identifier.issnl1598-7914-

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