File Download

There are no files associated with this item.

  Links for fulltext
     (May Require Subscription)
Supplementary

Book Chapter: Listening to the Musicking Body: A Cross-Disciplinary and Historical Perspective

TitleListening to the Musicking Body: A Cross-Disciplinary and Historical Perspective
Authors
KeywordsListening
Afterimage
Aftersound
Continuity
Motion
Issue Date2019
PublisherOxford University Press.
Citation
Listening to the Musicking Body: A Cross-Disciplinary and Historical Perspective. In Kim, Y and Gilman, SL (Eds.), The Oxford Handbook of Music and the Body, p. 418-435. New York, NY: Oxford University Press, 2019 How to Cite?
AbstractListening is generally discussed in connection with auditory perception, with the ear as the primary perceptual organ. Recently, however, more comprehensive approaches are being emphasized along with the need to understand listening in the context of cultural and historical changes. This chapter investigates the plasticity of the idea of listening, both across disciplines and across historical contexts. By engaging with various discourses on seeing, hearing, and kinesthetics in the late nineteenth and early twentieth centuries, the present chapter examines how a holistic conceptualization of listening that goes beyond the ear and functions in the context of the whole human body emerged and argues how understanding the past can shed light on the current understanding of music and the body.
Persistent Identifierhttp://hdl.handle.net/10722/248238
ISBN

 

DC FieldValueLanguage
dc.contributor.authorKim, Y-
dc.date.accessioned2017-10-18T08:40:05Z-
dc.date.available2017-10-18T08:40:05Z-
dc.date.issued2019-
dc.identifier.citationListening to the Musicking Body: A Cross-Disciplinary and Historical Perspective. In Kim, Y and Gilman, SL (Eds.), The Oxford Handbook of Music and the Body, p. 418-435. New York, NY: Oxford University Press, 2019-
dc.identifier.isbn9780190636234-
dc.identifier.urihttp://hdl.handle.net/10722/248238-
dc.description.abstractListening is generally discussed in connection with auditory perception, with the ear as the primary perceptual organ. Recently, however, more comprehensive approaches are being emphasized along with the need to understand listening in the context of cultural and historical changes. This chapter investigates the plasticity of the idea of listening, both across disciplines and across historical contexts. By engaging with various discourses on seeing, hearing, and kinesthetics in the late nineteenth and early twentieth centuries, the present chapter examines how a holistic conceptualization of listening that goes beyond the ear and functions in the context of the whole human body emerged and argues how understanding the past can shed light on the current understanding of music and the body.-
dc.languageeng-
dc.publisherOxford University Press.-
dc.relation.ispartofThe Oxford Handbook of Music and the Body-
dc.subjectListening-
dc.subjectAfterimage-
dc.subjectAftersound-
dc.subjectContinuity-
dc.subjectMotion-
dc.titleListening to the Musicking Body: A Cross-Disciplinary and Historical Perspective-
dc.typeBook_Chapter-
dc.identifier.emailKim, Y: younkim@hku.hk-
dc.identifier.authorityKim, Y=rp01216-
dc.identifier.doi10.1093/oxfordhb/9780190636234.013.24-
dc.identifier.hkuros282570-
dc.identifier.hkuros328395-
dc.identifier.spage418-
dc.identifier.epage435-
dc.publisher.placeNew York, NY-

Export via OAI-PMH Interface in XML Formats


OR


Export to Other Non-XML Formats