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- Publisher Website: 10.1080/15339114.2010.532925
- Scopus: eid_2-s2.0-79960507067
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Article: From passive receivers to distributing consumers: The changing role of Japanese TV drama audiences in Hong Kong
Title | From passive receivers to distributing consumers: The changing role of Japanese TV drama audiences in Hong Kong |
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Authors | |
Keywords | Japanese tv dramas Internet Piracy Audiences Cultural circulation Hong kong society |
Issue Date | 2010 |
Citation | Journal of Comparative Asian Development, 2010, v. 9, n. 2, p. 219-242 How to Cite? |
Abstract | This paper examines the changing role of Japanese TV drama audiences in Hong Kong. Many studies on cultural circulation have assumed the audience of cultural text as a group of passive individuals and they have been accused of falling into a trap of blinkered thinking, which often overlooks the audience's ability to re-create and re-circulate the cultural product and to attach a new layer of meaning to the text in the process. The paper tries to show that the traditional cultural circuit of "Producer-Product-Receivers" cannot fully explain the complex use of cultural products in daily life by investigating the consumption of Japanese TV dramas in Hong Kong, from the perspective of the changing role of audiences and its relation to the changing social circumstances. © City University of Hong Kong. |
Persistent Identifier | http://hdl.handle.net/10722/230874 |
ISSN | 2023 SCImago Journal Rankings: 0.141 |
DC Field | Value | Language |
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dc.contributor.author | Wong, Chi Hang | - |
dc.date.accessioned | 2016-09-01T06:07:02Z | - |
dc.date.available | 2016-09-01T06:07:02Z | - |
dc.date.issued | 2010 | - |
dc.identifier.citation | Journal of Comparative Asian Development, 2010, v. 9, n. 2, p. 219-242 | - |
dc.identifier.issn | 1533-9114 | - |
dc.identifier.uri | http://hdl.handle.net/10722/230874 | - |
dc.description.abstract | This paper examines the changing role of Japanese TV drama audiences in Hong Kong. Many studies on cultural circulation have assumed the audience of cultural text as a group of passive individuals and they have been accused of falling into a trap of blinkered thinking, which often overlooks the audience's ability to re-create and re-circulate the cultural product and to attach a new layer of meaning to the text in the process. The paper tries to show that the traditional cultural circuit of "Producer-Product-Receivers" cannot fully explain the complex use of cultural products in daily life by investigating the consumption of Japanese TV dramas in Hong Kong, from the perspective of the changing role of audiences and its relation to the changing social circumstances. © City University of Hong Kong. | - |
dc.language | eng | - |
dc.relation.ispartof | Journal of Comparative Asian Development | - |
dc.subject | Japanese tv dramas | - |
dc.subject | Internet | - |
dc.subject | Piracy | - |
dc.subject | Audiences | - |
dc.subject | Cultural circulation | - |
dc.subject | Hong kong society | - |
dc.title | From passive receivers to distributing consumers: The changing role of Japanese TV drama audiences in Hong Kong | - |
dc.type | Article | - |
dc.description.nature | link_to_subscribed_fulltext | - |
dc.identifier.doi | 10.1080/15339114.2010.532925 | - |
dc.identifier.scopus | eid_2-s2.0-79960507067 | - |
dc.identifier.volume | 9 | - |
dc.identifier.issue | 2 | - |
dc.identifier.spage | 219 | - |
dc.identifier.epage | 242 | - |
dc.identifier.eissn | 2150-5403 | - |
dc.identifier.issnl | 1533-9114 | - |