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| Title | Author(s) | Issue Date | |
|---|---|---|---|
Women as sex workers in two HKSAR films: Herman Yau and Elsa Chan (Yeeshan)’s Whispers and Moans and True Women for Sale Proceeding/Conference:International Conference on Global Capitalism, Socialist Markets, and Feminist Interventions | 2014 | ||
Hong Kong women filmmakers: working beyond the nation Proceeding/Conference:Conference on Transnational Cinema/Media Studies | 2014 | ||
Clara Law's RED EARTH: the HKIFF and the cultural politics of the sponsored short Proceeding/Conference:Chinese Film Festival Studies Conference | 2014 | ||
LIKE A DREAM: Asian American Masculinity and Transnational Chinese Cinema Proceeding/Conference:Annual Conference of the American Studies Network, USCET-ASN 2013 | 2013 | ||
Jean-Luc Godard?s La Chinoise (1967): Engaging Mao on French screens? Proceeding/Conference:International Workshop on 'China and the World in Mao's Last Decade, 1966-1976' | 2009 | ||
Bicycle thieves and pickpockets: transnational Chinese cinema, postmodernism, and the transcendental style Proceeding/Conference:International Symposium on 'Cross-cultural Perspectives on the current state of East Asian Cinemas' | 2008 | ||
The Cinematic Politics of LUST, CAUTION? Proceeding/Conference:International Symposium on 'Eileen Chang: Romancing Two Cultures' | 2009 | ||
Gender Politics and History: Ann Hui's The Postmodern Life of my Aunt Proceeding/Conference:Symposium and International Videoconference on 'Transnational East Asian Cinema since 1997' | 2008 | ||
Lust, Caution: China, Japan, and the KMT on Screen--Present and Past? Proceeding/Conference:Alt-SCMS: The JIU Media Studies Department Media Workshop | 2009 | ||
Brecht in Hong Kong: Performing the Facts and Documenting the Performance in Evans Chan's The Life and Times of Wu Zhongxian (2003)' Proceeding/Conference:1st Conference of Hong Kong Documentary Film, the Regional Context and Theoretical Perspectives | 2009 | ||
Questions of realism and Chinese-Language Cinema: locating Patrick Tam's After This Our Exile within the 'Desert of the Real' Proceeding/Conference:Conference on 'Locality, Translocality, and De-Locality: Cultural, Aesthetic, and Political Dynamics of Chinese-Language Cinema' | 2008 | ||
| 2007 | |||
| 2007 | |||
Asian film and digital culture Book:The Oxford handbook of film and media studies | 2008 | ||
| 2007 | |||
ROMEO MUST DIE: Interracial Romance in Action Book:The Persistence of Whiteness, Race and Contemporary Hollywood Cinema | 1991 | ||
In/Visible Histories (China): Documentary Film, Historical Memory, Interdisciplinary Inquiry, and Community Service” (with Karsten Kruger) Book:Bridging the Sino-American Divide: American Studies with Chinese Characteristics | 1991 | ||
In the City and on the Road in Asian American Film: MY AMERICA…OR, HONK IF YOU LOVE BUDDHA Book:All Roads Lead to the American City | 2007 | ||
Between Comrade and Queer: Stanley Kwan’s HOLD YOU TIGHT (translated into Chinese) Book:In Critical Proximity: The Visual Memories of Stanley Kwan | 2007 | ||
In/Visible Histories (China): Documentary Film, Historical Memory, Interdisciplinary Inquiry and Community Service, co-written with Karsten Krueger Proceeding/Conference:Annual Conference of the The Asian Media Information and Communication Centre, AMIC 2005 | 2005 | ||
INFERNAL AFFAIRS: Global Markets and Local Politics in Hong Kong Cinema Proceeding/Conference:Annual Conference of Asian Cinema Studies Society | 2005 | ||
Whither (or Wither) Chinese Women’s Films? BAO’BER IN LOVE and THE JADE GODDESS OF MERCY Proceeding/Conference:Conference on 'Whither Film Theory: Boundaries, Frontiers, and Predicament in the Changing Context of Globalization' | 2004 | ||
Martial Arts—North and South: Liu Chia-Liang's Vision of Hung Gar in Shaw Brothers Films Proceeding/Conference:The Centenary of Chinese Cinema: Influence of the Shaw Brothers Conference | 2006 | ||
INFERNAL AFFAIRS: Global Markets and Local Politics in Hong Kong Cinema Proceeding/Conference:Film and Philosophy Conference | 2005 | ||
Global Modernity, Postmodern Singapore, and the Cinema of Eric Khoo Book:Chinese-Language Film: Historiography, Poetics, Politics, eds. Sheldon H. Lu and Yeh Yueh-Yu | 2004 |