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Article: Situating Chinese Architecture within 'A Century of Progress': The Chinese Pavilion, The Bendix Golden Temple, and the 1933 Chicago World's Fair
Title | Situating Chinese Architecture within 'A Century of Progress': The Chinese Pavilion, The Bendix Golden Temple, and the 1933 Chicago World's Fair |
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Authors | |
Keywords | Modern architecture China World’s fairs Chicago Century of Progress |
Issue Date | 2014 |
Publisher | University of California Press. The Journal's web site is located at http://jsah.ucpress.edu/ |
Citation | Journal of the Society of Architectural Historians, 2014, v. 73 n. 3, p. 347-371 How to Cite? |
Abstract | Situating Chinese Architecture within 'A Century of Progress' The Chinese Pavilion, the Bendix Golden Temple, and the 1933 Chicago World’s Fair explores the overlooked role played by Chicago’s 1933 World’s Fair in China’s twentieth-century architectural development. The exposition initially represented a valuable opportunity for China’s recently established Guomindang administration to highlight its new political agenda via a national pavilion that would also symbolize the country’s search for a modern, uniquely Chinese architectural expression. Numerous financial and geopolitical obstacles would eventually prevent official Chinese participation, and two unofficial structures were completed instead on China’s behalf: a privately financed Chinese pavilion and a piece-by-piece reconstruction of an eighteenth-century Qing replica of a Tibetan Buddhist shrine, the Golden Temple, sponsored by the Chicago-based industrialist Vincent Bendix. Cole Roskam investigates the transnational forces that produced these buildings at the fair and argues that the event should be considered an important new point of inquiry in the study of Chinese modern architecture. |
Persistent Identifier | http://hdl.handle.net/10722/198452 |
ISSN | 2023 Impact Factor: 0.6 2023 SCImago Journal Rankings: 0.137 |
ISI Accession Number ID |
DC Field | Value | Language |
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dc.contributor.author | Roskam, C | - |
dc.date.accessioned | 2014-07-07T06:56:57Z | - |
dc.date.available | 2014-07-07T06:56:57Z | - |
dc.date.issued | 2014 | - |
dc.identifier.citation | Journal of the Society of Architectural Historians, 2014, v. 73 n. 3, p. 347-371 | - |
dc.identifier.issn | 0037-9808 | - |
dc.identifier.uri | http://hdl.handle.net/10722/198452 | - |
dc.description.abstract | Situating Chinese Architecture within 'A Century of Progress' The Chinese Pavilion, the Bendix Golden Temple, and the 1933 Chicago World’s Fair explores the overlooked role played by Chicago’s 1933 World’s Fair in China’s twentieth-century architectural development. The exposition initially represented a valuable opportunity for China’s recently established Guomindang administration to highlight its new political agenda via a national pavilion that would also symbolize the country’s search for a modern, uniquely Chinese architectural expression. Numerous financial and geopolitical obstacles would eventually prevent official Chinese participation, and two unofficial structures were completed instead on China’s behalf: a privately financed Chinese pavilion and a piece-by-piece reconstruction of an eighteenth-century Qing replica of a Tibetan Buddhist shrine, the Golden Temple, sponsored by the Chicago-based industrialist Vincent Bendix. Cole Roskam investigates the transnational forces that produced these buildings at the fair and argues that the event should be considered an important new point of inquiry in the study of Chinese modern architecture. | - |
dc.language | eng | - |
dc.publisher | University of California Press. The Journal's web site is located at http://jsah.ucpress.edu/ | - |
dc.relation.ispartof | Journal of the Society of Architectural Historians | - |
dc.rights | Published as Journal of the Society of Architectural Historians, 2014, v. 73 n. 3, p. 347-371. © 2014 by the Society of Architectural Historians. Copying and permissions notice: Authorization to copy this content beyond fair use (as specified in Sections 107 and 108 of the U. S. Copyright Law) for internal or personal use, or the internal or personal use of specific clients, is granted by the Regents of the University of California on behalf of the Society of Architectural Historians for libraries and other users, provided that they are registered with and pay the specified fee via Rightslink® or directly with the Copyright Clearance Center. | - |
dc.subject | Modern architecture | - |
dc.subject | China | - |
dc.subject | World’s fairs | - |
dc.subject | Chicago | - |
dc.subject | Century of Progress | - |
dc.title | Situating Chinese Architecture within 'A Century of Progress': The Chinese Pavilion, The Bendix Golden Temple, and the 1933 Chicago World's Fair | - |
dc.type | Article | - |
dc.identifier.email | Roskam, C: roskam@hku.hk | - |
dc.identifier.authority | Roskam, C=rp01427 | - |
dc.description.nature | published_or_final_version | - |
dc.identifier.doi | 10.1525/jsah.2014.73.3.347 | - |
dc.identifier.scopus | eid_2-s2.0-84906996839 | - |
dc.identifier.hkuros | 230012 | - |
dc.identifier.volume | 73 | - |
dc.identifier.issue | 3 | - |
dc.identifier.spage | 347 | - |
dc.identifier.epage | 371 | - |
dc.identifier.isi | WOS:000343953800003 | - |
dc.publisher.place | United States | - |
dc.identifier.issnl | 0037-9808 | - |