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Article: Architecture as Viewing Instrument: Moving Re-framing and Oblique Poetics in Weijen WANG s Xixi Wetland Project
Title | Architecture as Viewing Instrument: Moving Re-framing and Oblique Poetics in Weijen WANG s Xixi Wetland Project 建筑觀景器: 王維仁西溪濕地設計中的動景再框與傾斜詩意 |
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Authors | |
Other Contributors | Other(s):姜伯源 |
Keywords | Architecture Landscape Visual Perception Oblique Spatial Poetics Embodied Experience |
Issue Date | 2012 |
Publisher | 同濟大學出版社. The Journal's web site is located at http://www.timearchi.com/ |
Citation | 時代建築, 2012, n. 4, p. 138-145 How to Cite? Time + Architecture, 2012, n. 4, p. 138-145 How to Cite? |
Abstract | 王維仁西溪藝術村項目由一系列建筑觀景器組成,再造了山、水、天、地交錯而置的地景欣賞體驗。他的建筑融合了中國傳統美學論述、體現西方靜態解析透視的電影剪輯手法,以此重新解讀濕地景觀,從視覺感知到感性與智性的理解,喚起新的空間可能性。
Weijen Wang s Xixi project (2011) is conceived as a series of architectural viewing apparatuses that reproduce landscape viewing experiences in which mountain, water, sky and earth are gathered in differing permutations. Fusing allusions to classical Chinese aesthetic treatises and film editing techniques as an extension of the static, analytical gaze of Western perspective, Wang's architecture reinterprets the wetland landscape to evoke new spatial possibilities from visual perception to emotional and intellectual understanding. |
Persistent Identifier | http://hdl.handle.net/10722/163688 |
ISSN |
DC Field | Value | Language |
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dc.contributor.author | Wang, WJ | en_US |
dc.contributor.author | 鐘宏亮 | - |
dc.contributor.other | 姜伯源 | - |
dc.date.accessioned | 2012-09-20T07:50:11Z | - |
dc.date.available | 2012-09-20T07:50:11Z | - |
dc.date.issued | 2012 | en_US |
dc.identifier.citation | 時代建築, 2012, n. 4, p. 138-145 | en_US |
dc.identifier.citation | Time + Architecture, 2012, n. 4, p. 138-145 | - |
dc.identifier.issn | 1005-684X | - |
dc.identifier.uri | http://hdl.handle.net/10722/163688 | - |
dc.description.abstract | 王維仁西溪藝術村項目由一系列建筑觀景器組成,再造了山、水、天、地交錯而置的地景欣賞體驗。他的建筑融合了中國傳統美學論述、體現西方靜態解析透視的電影剪輯手法,以此重新解讀濕地景觀,從視覺感知到感性與智性的理解,喚起新的空間可能性。 Weijen Wang s Xixi project (2011) is conceived as a series of architectural viewing apparatuses that reproduce landscape viewing experiences in which mountain, water, sky and earth are gathered in differing permutations. Fusing allusions to classical Chinese aesthetic treatises and film editing techniques as an extension of the static, analytical gaze of Western perspective, Wang's architecture reinterprets the wetland landscape to evoke new spatial possibilities from visual perception to emotional and intellectual understanding. | - |
dc.language | chi | en_US |
dc.publisher | 同濟大學出版社. The Journal's web site is located at http://www.timearchi.com/ | - |
dc.relation.ispartof | 時代建築 | en_US |
dc.relation.ispartof | Time + Architecture | - |
dc.subject | Architecture | - |
dc.subject | Landscape | - |
dc.subject | Visual Perception | - |
dc.subject | Oblique Spatial Poetics | - |
dc.subject | Embodied Experience | - |
dc.title | Architecture as Viewing Instrument: Moving Re-framing and Oblique Poetics in Weijen WANG s Xixi Wetland Project | en_US |
dc.title | 建筑觀景器: 王維仁西溪濕地設計中的動景再框與傾斜詩意 | - |
dc.type | Article | en_US |
dc.identifier.email | Wang, WJ: wjwang@hku.hk | en_US |
dc.identifier.authority | Wang, WJ=rp01026 | en_US |
dc.identifier.hkuros | 211221 | en_US |
dc.identifier.issue | 4 | - |
dc.identifier.spage | 138 | en_US |
dc.identifier.epage | 145 | en_US |
dc.publisher.place | China | - |
dc.identifier.issnl | 1005-684X | - |