File Download

There are no files associated with this item.

  Links for fulltext
     (May Require Subscription)
  • Find via Find It@HKUL
Supplementary

Article: Film and Digital Video as Testimony of Chinese Modernity: Trauma, History and Writing

TitleFilm and Digital Video as Testimony of Chinese Modernity: Trauma, History and Writing
Authors
KeywordsChinese films
Motion pictures - Influence of
Collective memory
Motion pictures - Philosophy
Modernity
Issue Date2010
PublisherUniversity of Texas Press, Journals Division. The Journal's web site is located at http://www.utexas.edu/utpress/journals/jcj.html
Citation
Cinema Journal, 2010, v. 50 n. 1, p. 154-162 How to Cite?
AbstractThe article discusses moral and ethical aspects of cinematography in the modern nation-state of China. Chinese films that depict atrocities during China's Cultural Revolution and influence the collective memory are discussed. The digital-video documentary's role in modernity as a moral authority that exposes oppression and death is also discussed. Nationalist historiography in the film 'China on Screen: Cinema and Nation' is mentioned. The conflict between state control and media market forces in China is noted.
Persistent Identifierhttp://hdl.handle.net/10722/127652
ISSN

 

DC FieldValueLanguage
dc.contributor.authorYau, ECMen_HK
dc.date.accessioned2010-10-31T13:38:06Z-
dc.date.available2010-10-31T13:38:06Z-
dc.date.issued2010en_HK
dc.identifier.citationCinema Journal, 2010, v. 50 n. 1, p. 154-162en_HK
dc.identifier.issn0009-7101en_HK
dc.identifier.urihttp://hdl.handle.net/10722/127652-
dc.description.abstractThe article discusses moral and ethical aspects of cinematography in the modern nation-state of China. Chinese films that depict atrocities during China's Cultural Revolution and influence the collective memory are discussed. The digital-video documentary's role in modernity as a moral authority that exposes oppression and death is also discussed. Nationalist historiography in the film 'China on Screen: Cinema and Nation' is mentioned. The conflict between state control and media market forces in China is noted.-
dc.languageengen_HK
dc.publisherUniversity of Texas Press, Journals Division. The Journal's web site is located at http://www.utexas.edu/utpress/journals/jcj.htmlen_HK
dc.relation.ispartofCinema Journalen_HK
dc.rightsThis is a pre-copyedited version of an article accepted for publication in (journal title) following peer review. The definitive publisher-authenticated version is available through the University of Texas Press.en_HK
dc.subjectChinese films-
dc.subjectMotion pictures - Influence of-
dc.subjectCollective memory-
dc.subjectMotion pictures - Philosophy-
dc.subjectModernity-
dc.titleFilm and Digital Video as Testimony of Chinese Modernity: Trauma, History and Writingen_HK
dc.typeArticleen_HK
dc.identifier.openurlhttp://library.hku.hk:4550/resserv?sid=HKU:IR&issn=0009-7101&volume=50, No.1&spage=154&epage=162&date=2010&atitle=%27Film+and+Digital+Video+as+Testimony+of+Chinese+Modernity:+Trauma,+History+and+Writing%27en_HK
dc.identifier.emailYau, ECM: joy2sing2004@yahoo.comen_HK
dc.identifier.authorityYau, ECM=rp01179en_HK
dc.identifier.hkuros173759en_HK
dc.identifier.hkuros176368-
dc.identifier.volume50en_HK
dc.identifier.issue1-
dc.identifier.spage154en_HK
dc.identifier.epage162en_HK
dc.publisher.placeUnited States-
dc.identifier.issnl0009-7101-

Export via OAI-PMH Interface in XML Formats


OR


Export to Other Non-XML Formats