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| Title | Author(s) | Issue Date | Views | |
|---|---|---|---|---|
| 2005 | 112 | |||
The Gamelan: The Making of a Musical Heritage Proceeding/Conference:International Conference on Asian Heritages at the Crossroads | 2007 | 95 | ||
Description and Analysis (volume1) Text and Translation (volume 2) by James Jemut Masing Journal:The Coming of the Gods: An Iban Invocatory Chant (Timang Gawai Amat) of the Baleh River Region Sarawak | 1998 | 122 | ||
| 2007 | 137 | |||
Body and Soul: Adeptness and Musical Performance Proceeding/Conference:National UGAT Conference 'Rootwork and Network: Weaving Mindanao Anthropology' | 2002 | 104 | ||
Disease and colonialism: rinderpest and the scramble for Africa Proceeding/Conference:Workshop on Animal Histories in Human Health: Comparative Perspectives from East Asia, 1850-1950 | 2015 | 50 | ||
Subjectivity, place and song in Filipino ‘altered-native' music Proceeding/Conference:International Association for the Study of Popular Music International Conference | 2005 | 147 | ||
Colonial health anxieties in Africa: German medical practitioners during the Scramble for Africa Proceeding/Conference:Conference on Anxiety in and about Africa | 2016 | 35 | ||
Displaying the Magician’s Art: The Workings of Illusion in Ingmar Bergman’s The Magic Flute (1975) Proceeding/Conference:International Association for Word and Music Studies Biennial Conference: Music, Narrative, and the Moving Image | 2015 | 42 | ||
Otherness and Transgression in a Philippine Music Festival Proceeding/Conference:Department of Anthropology Colloquium, The Chinese University of Hong Kong Colloquium Series | 1997 | 128 | ||
Intercultural Encounters and the Redeployment of Music Culture from the Philippines Highlands Journal:Intercultural Music | 2007 | 138 | ||
Sirens of the Lake: Sensing Place through Song Proceeding/Conference:International Conference on Philippine Studies | 2004 | 140 | ||
Climate change & colonialism: revisiting the scramble for Africa Proceeding/Conference:Coping with Climate and Environment Changes in Ethiopia and the Horn of Africa Conference | 2015 | 44 | ||
Dreamscapes from the Mind’s Ear: Musical Chronotopes in Two Wong-kar Wai Films Proceeding/Conference:2nd Biennial Conference of the East Asian Regional Association of the International Musicological Society (IMS-EA) | 2013 | 51 | ||
Arab diasporas in geopolitical spaces: Imperial contestation and the making of colonial subjecthood in the port of Djibouti (1919-1939) Journal:Cahiers d'Etudes Africaines | 2017 | 18 | ||
Musical Recordings as Mediators of Experiences: Situating 'Der Leiermann' in Ingmar Bergman’s In the Presence of a Clown Proceeding/Conference:NTU-CUHK EARS Music Forum 2016: Music and Mobility | 2016 | 62 | ||
Opera as Performance on Screen: Beyond Theatrical Illusion in Ingmar Bergman’s The Magic Flute (1975) Proceeding/Conference:CUHK-NTU Graduate Music Forum 2014: Sound, Image and Representation | 2014 | 38 | ||
Music as a Trigger for Performances of Meaning: Articulating Emotional Experience through Embodied Minds Proceeding/Conference:International Postgraduate Conference: Art and Emotion | 2013 | 21 | ||
Living across digital landscapes: Muslims, orthodox Christians, and an Indian Guru in Ethiopia Book:New Media and Religious Transformations in Africa | 2015 | 19 | ||
| 2016 | 80 | |||
The Balinese Gamelan Gong Kebyar in the classroom Proceeding/Conference:Asia-Pacific Symposium on Music Education Research | 2003 | 93 | ||
Africa's unholy migrants: Mobility and migrant morality in the age of borders Journal:African Affairs | 2017 | 23 | ||
Tune and Text: The case of Dagaare songs Proceeding/Conference:Symposium of the International Musicological Society | 2004 | 98 | ||
Circulation of medical knowledge in the Indian Ocean World: The Ethiopian example Proceeding/Conference:France-Japan Area Studies Forum: New Spatiality on Asian and African Area Studies Session | 2017 | 31 | ||
| 2014 | 86 |