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Title | Author(s) | Issue Date | |
---|---|---|---|
The Filmmaker as Music Bricoleur: Wong Kar Wai’s Soundtracks Proceeding/Conference:Creative Media Colloquium, School of Creative Media, City Univerfsity of Hong Kong | 2019 | ||
Sound Book:The Routledge Companion to Philosophy and Film | 2009 | ||
Ludwig's Wagner and Visconti's 'Ludwig' Book:Wagner and Cinema | 2010 | ||
High and Low: Music as Anamorphic Spot Proceeding/Conference:The Film Scene: International Conference on Cinema | 2006 | ||
In the Mood for Love: Romance as Allegory Proceeding/Conference:Asia Culture Forum 2006: Whither the Orient | 2006 | ||
Hearing in': Film Music and the Myth of Subliminal Perception Proceeding/Conference:Central Conservatory of Music Conference | 2005 | ||
Melodrama and Its Aura: Godard's 'Contempt' Proceeding/Conference:American Musicological Society Conference, AMS 2004 | 2004 | ||
Film Music as Epistemological Joke Proceeding/Conference:Music and its Spheres, a Symposium in Honor of Nicholas Cook | 2006 | ||
The shark in the music Journal:Music Analysis | 2010 | ||
The Vernacularisation of Classical Music in Wong Kar Wai's Cinema Proceeding/Conference:Unpopular Pop Conference, Kyoto Seika University | 2020 | ||
Beginning Credits and Beyond: Music and the Cinematic Imagination Journal:ECHO: A Music-Centered Journal | 2001 | ||
From Steel to Silk: The Music for Ashes of Time (Redux) Book:World Studies | 2017 | ||
Traccia, memoria, e riscrittura: le registrazioni [Trace, Memory, and Rewriting: The Recordings] Book:Mille e una Callas: Voci e studi | 2016 | ||
2016 | |||
"Love at First Sight": Music as Heterological Silence Proceeding/Conference:Annual Conference on Music & the Moving Image | 2016 | ||
Medium as Genre: Defining Radio Music through Cinema Proceeding/Conference:Music-Sound-Radio: Theorizing Music Radio Seminar | 2017 | ||
Callas 'Unplugged': The Juilliard Master Classes (1971-2) Proceeding/Conference:Congress of the International Musicological Society | 2017 | ||
From Steel to Silk: The Musical Worlds of Martial Arts Cinema Proceeding/Conference:Donald Keene Center of Japanese Culture, Columbia University, Spring Events 2017 | 2017 | ||
Staging attention on the operatic stage Proceeding/Conference:International Project on Chinese Opera Film: At the Intersection of Theater, Cinema, and Politics | 2012 | ||
Memory and the Leitmotif in Cinema Book:Representation in Western Music | 2013 | ||
The Phantom of the Opera and the Performance of Cinema Journal:The Opera Quarterly | 2018 | ||
The Big Screen and Verdi’s Stage Book:Verdi on Screen: [actes du colloque Dentro il cristallo arcano, Verdi à l'écran, 6-8 novembre 2013] | 2015 | ||
Double Agents, Cameos, and the Poor Man's Orchestra: Music and Place in Chungking Express Book:A Companion to Hong Kong Cinema | 2015 | ||
Global music/local cinema: two Wong Kar-wai pop compilations Book:Hong Kong culture: word and image | 2010 | ||
Music as World/Music Half Heard: The 'Cocktail-Party Effect' between Opera and Cinema Journal:Journal of the Musicological Society of Korea | 2006 |