Showing results 38 to 44 of 44
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| Title | Author(s) | Issue Date | |
|---|---|---|---|
The Shanghai 'Scenes' in Stanley Kwan's Films: From Center Stage to Everlasting Regret Proceeding/Conference:The Film Scene: Cinema, the Arts, and Social Change Symposium | 2006 | ||
Some Thoughts on 2046 Proceeding/Conference:Conference Proceedings on 'National, Transnational, and Internationa: Chinese Cinema and Asian Cinema in the Context of Globalization'
Conference organized by Asian Cinema Studies Society (U.S.A.), Beijing University, and Shanghai University, June 6 to J | 2005 | ||
Symbolic Violence and the Politics of Colonial Schooling in Indochina Proceeding/Conference:Annual Meeting of the French Colonial Historical Society, FCHS 2001 | 2001 | ||
Symbolic Violence in Colonial and Postcolonial Educational Systems Proceeding/Conference:Culture, Language and Communication Conference | 2000 | ||
'Thou art the best of mee': A. S. Byatt's Possession and the Literary Possession of Donne Proceeding/Conference:11th Annual Conference of the John Donne Society | 1996 | ||
Whither (or Wither) Chinese Women’s Films? BAO’BER IN LOVE and THE JADE GODDESS OF MERCY Proceeding/Conference:Conference on 'Whither Film Theory: Boundaries, Frontiers, and Predicament in the Changing Context of Globalization' | 2004 | ||
Yonfan: A Queer Avant-garde Figure of Hong Kong Proceeding/Conference:Harvard-Lingnan Symposium: The Avant-Garde X: Hong Kong and the New South. (04/12/2023-05/12/2023, , , Hong Kong ) | 4-Dec-2023 |