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| Title | Author(s) | Issue Date | Views | |
|---|---|---|---|---|
A Brief Overview of Chinese-Language Scholarship on Modern Chinese Literature Book:A Companion to Modern Chinese Literature | 2015 | 59 | ||
Alienation and the dialectics of acculturation: Brecht and the aesthetics of Chinese painting Book:Recovering the Orient: Artists, Scholars, Appropriations | 1994 | 59 | ||
All by Myself or All in the family? The question of uncanny identity in Maxine Hong Kingston's The Woman Warrior Book:Appropriate(d) Narratives: Autobiographical Strategies for Writing the Self | 2000 | 189 | ||
All by myself or All in the family? The question of uncanny identity in Maxine Hong Kingston's The Woman Warrior Book:In Appropriate(d) Narratives: Autobiographical Strategies for Writing the Self from the Colonial Era to the Present Day | 1999 | 176 | ||
Beyond the Chinese Dream: On the Unbecoming of Chineseness in Chan Koonchung’s China Trilogy Book:Sinophone Utopias: Exploring Futures Beyond the China Dream | 1-Mar-2023 | |||
The City That Haunts: The Uncanny in Fruit Chan's Mad in Hong Kong' Book:Between Home and World: A Reader in Hong Kong Cinema | 2003 | 130 | ||
Disjunctive Temporalities: Queer Sinophone Visuality across Mainland China, Hong Kong, and Taiwan Book:Queer TV China: Televisual and Fannish Imaginaries of Gender, Sexuality, and Chineseness
| 1-Feb-2023 | |||
Durasie: Women, Natives, and Other Book:Revisioning Duras: Film, Race, Sex | 2000 | 121 | ||
Faulkner and Modernism: History and Subjectivity in Absalom, Absalom! Book:In:Tao J. (ed.), Faulkner: Achievement and Endurance | 1998 | 82 | ||
From Fu Manchu to M. BUTTERFLY and IRMA VEP: Cinematic Incarnations of the Chinese Villain Book:Bad: Infamy, Darkness, Evil and Slime on Screen, ed. Murray Pomerance | 2004 | 104 | ||
Global Modernity, Postmodern Singapore, and the Cinema of Eric Khoo Book:Chinese-Language Film: Historiography, Poetics, Politics, eds. Sheldon H. Lu and Yeh Yueh-Yu | 2004 | 166 | ||
Guests at the WEDDING BANQUET: The Cinema of the Chinese Diaspora and the Rise of the American Independents Book:Contemporary American Independent Film: From the Margins to the Mainstream | 2006 | 106 | ||
Introduction: Between Home and World' Book:Between Home and World: A Reader in Hong Kong | 2004 | 97 | ||
Introduction: Cinema and the City at a Moment of Danger' Book:Between Home and World: A Reader in Hong Kong Cinema | 2004 | 142 | ||
Introduction: Gendered and Sexualized Bodies in Hong Kong Cinema' Book:Between Home and World: A Reader in Hong Kong Cinema | 2004 | 113 | ||
No marriage in heaven: John Donne, Anne Donne and the kingdom come Book:In: Haster M.T. (ed.), John Donne's 'Desire of More': The Subject of Anne More Donne in His Poetry | 1995 | 110 | ||
No Marriage in Heaven: John Donne, Anne Donne, and the Kingdom Come' Book:John Donne's 'desire of more': The Subject of Anne Donne in His Poetry | 1997 | 125 | ||
On Tsai Ming-Liang’s THE RIVER (1996) Book:Island on the Edge: Taiwan New Cinema and After, eds. Chris Berry and Feii Lu | 2004 | 145 | ||
Performing Disaster and Trauma: A Cross-cultural Dialogue between Post-Socialist China and Munich in the Age of Globalization Book:Contemporary German – Chinese Cultures in Dialogue | 7-May-2023 | |||
Portrait of a Young Woman as a Coloniale Book:Empire And Culture | 2004 | 149 |