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Article: Rioting with Stravinsky: A particular analysis of the Rite of Spring

TitleRioting with Stravinsky: A particular analysis of the Rite of Spring
Authors
Issue Date2007
PublisherBlackwell Publishing Ltd. The Journal's web site is located at http://www.blackwellpublishing.com/journals/MUSA
Citation
Music Analysis, 2007, v. 26 n. 1-2, p. 59-109 How to Cite?
AbstractThe riot that greeted the Rite of Spring only found its analytical counterpart some 70 years after its premiere, with factions headed by Pieter van den Toorn, Richard Taruskin and Allen Forte. But the analytical tussle was hardly a genuine riot in as much the differing camps subscribed to a premise of authenticity in order to stabilise the work under a universal concept: the result was a Rite unified by theory. The scholars may have battled with each other, but the music was not allowed to have its own riot. This article suggests a more contingent analysis of the Rite, focussing on the rebellion of the particular against the universal. The point is not to champion an anarchic or barbaric reading of the music, which is often attributed to the work because of the ballet's violent content, but to open the possibility of a new order that arises from the rioting particular. © 2008 The Author.
Persistent Identifierhttp://hdl.handle.net/10722/90296
ISSN
2015 SCImago Journal Rankings: 0.118
ISI Accession Number ID
References

 

DC FieldValueLanguage
dc.contributor.authorChua, DKLen_HK
dc.date.accessioned2010-09-06T10:08:21Z-
dc.date.available2010-09-06T10:08:21Z-
dc.date.issued2007en_HK
dc.identifier.citationMusic Analysis, 2007, v. 26 n. 1-2, p. 59-109en_HK
dc.identifier.issn0262-5245en_HK
dc.identifier.urihttp://hdl.handle.net/10722/90296-
dc.description.abstractThe riot that greeted the Rite of Spring only found its analytical counterpart some 70 years after its premiere, with factions headed by Pieter van den Toorn, Richard Taruskin and Allen Forte. But the analytical tussle was hardly a genuine riot in as much the differing camps subscribed to a premise of authenticity in order to stabilise the work under a universal concept: the result was a Rite unified by theory. The scholars may have battled with each other, but the music was not allowed to have its own riot. This article suggests a more contingent analysis of the Rite, focussing on the rebellion of the particular against the universal. The point is not to champion an anarchic or barbaric reading of the music, which is often attributed to the work because of the ballet's violent content, but to open the possibility of a new order that arises from the rioting particular. © 2008 The Author.en_HK
dc.languageengen_HK
dc.publisherBlackwell Publishing Ltd. The Journal's web site is located at http://www.blackwellpublishing.com/journals/MUSAen_HK
dc.relation.ispartofMusic Analysisen_HK
dc.rightsMusic Analysis. Copyright © Blackwell Publishing Ltd.en_HK
dc.titleRioting with Stravinsky: A particular analysis of the Rite of Springen_HK
dc.typeArticleen_HK
dc.identifier.openurlhttp://library.hku.hk:4550/resserv?sid=HKU:IR&issn=0262-5245&volume=26/1-2&spage=59&epage=109&date=2007&atitle=Rioting+With+Stravinsky:+A+Particular+Analysis+of+the+Rite+of+Springen_HK
dc.identifier.emailChua, DKL: daniel.chua@hku.hken_HK
dc.identifier.authorityChua, DKL=rp01212en_HK
dc.description.naturelink_to_subscribed_fulltext-
dc.identifier.doi10.1111/j.1468-2249.2007.00250.xen_HK
dc.identifier.scopuseid_2-s2.0-60949306931en_HK
dc.identifier.hkuros163077en_HK
dc.relation.referenceshttp://www.scopus.com/mlt/select.url?eid=2-s2.0-60949306931&selection=ref&src=s&origin=recordpageen_HK
dc.identifier.volume26en_HK
dc.identifier.issue1-2en_HK
dc.identifier.spage59en_HK
dc.identifier.epage109en_HK
dc.identifier.eissn1468-2249-
dc.identifier.isiWOS:000256636400004-
dc.publisher.placeUnited Kingdomen_HK
dc.identifier.scopusauthoridChua, DKL=36957440800en_HK

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