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| Title | Author(s) | Issue Date | |
|---|---|---|---|
Typological Analysis of the Chinese Qin in the Late Bronze Age Proceeding/Conference:The 6th Symposium of the International Council for Traditional Music’s Study Group on Musics of East Asia (ICTM MEA) | 2018 | ||
| 2021 | |||
Musical Archaeology and the Prehistory of Chinese Music Book:The Oxford Handbook of Music in China and the Chinese Diaspora | 2021 | ||
The Qin Excavated from the Tomb of Liu He, 59 BCE Proceeding/Conference:The 48th Annual Meeting of the American Musical Instrument Society | 2019 | ||
Typological Analysis of the Chinese Qin in the Late Bronze Age Proceeding/Conference:The 45th ICTM (International Council for Traditional Music) World Conference | 2019 | ||
An Artist and His Patrons: Qin Player Yang Jijing and the Cultural Elite in Early Sixteenth Century Suzhou Proceeding/Conference:Harmony and Power: The Role of Music in the Cultivation of the Literati in Ancient China Conference | 2018 | ||
The Seven-stringed Qin Excavated from the Grave of the first Marquis of Haihun, Western Han Dynasty Proceeding/Conference:Cheung Sai Bun and Chinese Music: A Colloquium | 2018 | ||
Wang Cottage, West Lake: The Qin in Changing Modern China Proceeding/Conference:2018 East Asia Music Forum | 2018 | ||
| 2019 | |||
<<碣石調幽蘭>>與<<琴用指法>>合卷說辯正 Proceeding/Conference:第一屆香港琴學座談會: 程序及論文摘要 | 2008 | ||
Japonifying the Qin: Ogyū Sorai’s Kingakutaiishō Proceeding/Conference:New York Qin Society's Colloquium on Early Chinese Music | 2007 | ||
Chinese Qin Zither in the Late Bronze Age Presentation:Hong Kong Baptist University, Chinese Music Lecture | 2013 | ||
Jindou: A Musical Form Found in Southern Song Lyric Songs Presentation:Hong Kong Baptist University, Dept of Music, Guest Lecture | 2015 | ||
Jindou: A Musical Form Found in Secular Chinese Songs of the Twelfth-Century Proceeding/Conference:20th Congress of the International Musicological Society | 2017 | ||
Taotie, Dragon, Phoenix, and Farmer: A Highly Decorated Qin Excavated from Jiuliandun Proceeding/Conference:The Fifth International Symposium of the ICTM Study Group for Musics of East Asia | 2016 | ||
The Qin Excavated in Warring States Period Sites Journal:Orient-Archaeologie | 2016 | ||
Translation of the Song: Attendant Li's Performance on the Harp Book:Herausforderungen und Ziele der Musikarchäologie : Vorträge des 5. Symposiums der Internationalen Studiengruppe Musikarchäologie im Ethnologischen Museum der Staatlichen Museen zu Berlin, 19.-23. September 2006 = Challenges and objectives in music archaeology : papers from the 5th Symposium of the International Study Group on Musik Archaeology at the Ethnological Museum, State Museums Berlin, 19-23 September 2006 | 2008 | ||
Hong Kong Musicological Research and Scholarship 2003-04 Journal:Annual of Chinese Music | 2008 | ||
| 2008 | |||
On the Textual Criticism of Wang Mengshu Book:琴學薈萃：第二屆古琴國際學術研討會論文集 | 2011 | ||
On the So-called Jade Funeral Qin Excavated from Anyang Book:2010年中国古琴国际学术研讨会论文集 | 2011 | ||
The earliest form of the Chinese Qin-Zither? Proceeding/Conference:ACAH / LibrAsia Conference | 2012 | ||
Inventing the Fuxi Style of Qin Form Proceeding/Conference:Foundation of the East Asian Regional Association of the International Musicological Society | 2011 | ||
江户琴学的日本化 Journal:文史研究院学术通讯 | 2011 | ||
唐樂: 來自劍橋大學的又一份厚禮 Journal:信報財經月刊 | 2009 |