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Title | Author(s) | Issue Date | |
---|---|---|---|
Pianist as action executer and observer: Fingering in musical communication Proceeding/Conference:Who is the “I” that performs? Enacting Musical Identities Festival & Symposium | 2019 | ||
Wangjang, Seoho: byeonhwahaneun geunhyeondae Jung-gug-ui gogeum Proceeding/Conference:2018 Dong-asia Eum-ag Poleom | 2018 | ||
Typological Analysis of the Chinese Qin in the Late Bronze Age Proceeding/Conference:The 45th ICTM (International Council for Traditional Music) World Conference | 2019 | ||
An Artist and His Patrons: Qin Player Yang Jijing and the Cultural Elite in Early Sixteenth Century Suzhou Proceeding/Conference:Harmony and Power: The Role of Music in the Cultivation of the Literati in Ancient China Conference | 2018 | ||
Wang Cottage, West Lake: The Qin in Changing Modern China Proceeding/Conference:2018 East Asia Music Forum | 2018 | ||
Editor(s):Yang, Y | 2013 | ||
《永樂大典音樂史料輯錄》解題 Book:古吳汪孟舒先生琴學遺著 | 2013 | ||
《編年考存琴書簡表》解題 Book:古吳汪孟舒先生琴學遺著 | 2013 | ||
The Qin Excavated from the Tomb of Liu He, 59 BCE Proceeding/Conference:The 48th Annual Meeting of the American Musical Instrument Society | 2019 | ||
《樂圃琴史校》解題 Book:古吳汪孟舒先生琴學遺著 | 2013 | ||
《五知齋莊周夢蝶逸譜》解題 Book:古吳汪孟舒先生琴學遺著 | 2013 | ||
整理者說明 Book:古吳汪孟舒先生琴學遺著 | 2013 | ||
《烏絲欄指法釋》解題 Book:古吳汪孟舒先生琴學遺著 | 2013 | ||
《太音大全集校注》解題 Book:古吳汪孟舒先生琴學遺著 | 2013 | ||
《雅軒琴譜校讀記》解題 Book:古吳汪孟舒先生琴學遺著 | 2013 | ||
'In Search of Lost Time': Connections between Theories of Hearing and Performance Discourse Proceeding/Conference:ICMPC-13 & APSCOM-5 Joint Conference | 2014 | ||
Beethoven and the Chains of Freedom: Adorno's Empty Moment Proceeding/Conference:Research Colloquia | 2004 | ||
Global Musicology: Perspectives from Other Places Proceeding/Conference:The Sciences of Music: New Challenges in a Changing Society Symposium | 2019 | ||
The Subdivided Qin Proceeding/Conference:Studien zur Musikarchäologie | 2014 | ||
A Chronological Biography of the Qin Master Ye Shimeng Journal:Musicology in China | 2015 | ||
A Critical History of New Music in China. By Liu Ching-chih Journal:Fontes artis musicae | 2014 | ||
Typological analysis of the Golden Age Qin Zither Proceeding/Conference:Symposium of the International Study Group on Music Archaeology, ISGMA 2010 | 2010 | ||
Double Agents, Cameos, and the Poor Man's Orchestra: Music and Place in Chungking Express Book:A Companion to Hong Kong Cinema | 2015 | ||
Reuniting Music and Poetry: Republication of the Songs of Whitestone the Daoist in the Qing Dynasty Book:Gem of Ci Poetry Music: Reconstruction of Songs by Jiang Kui | 2016 | ||
The Filmmaker as Music Bricoleur: Wong Kar Wai’s Soundtracks Proceeding/Conference:Creative Media Colloquium, School of Creative Media, City Univerfsity of Hong Kong | 2019 |