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Results 1 to 19 of 19
Page 1 of 1
TypeTitleAuthor(s)YearViews
Adorno's metaphysics of mourning: Beethoven's farewell to adornoChua, DKL2004190
 
Ashes of the Glacial Crescent - for amplified violin` (musical composition, 5') Commissioned by the Hong Kong Composers' Guild and the Red House Editions (Australia); score completed in December 1999Chan, HY2001102
 
Beginning Credits and Beyond: Music and the Cinematic ImaginationBiancorosso, G2004172
 
Body, Mind, Spirit and Soul: A Filipino Epistemology of Adeptness in Musical PerformanceMora, M200581
 
Chen Kangshi's Qin Music WritingsYang, Y2009105
 
Composition in Western Idioms on the Chinese Mainland'Chan, HY2002127
 
David Yearsley: Bach and the Meanings of CounterpointChua, DKL2005180
 
Description and Analysis (volume1) Text and Translation (volume 2) by James Jemut MasingMora, M199871
 
Hong Kong SectionChan, JKB200590
 
Intercultural Encounters and the Redeployment of Music Culture from the Philippines HighlandsMora, M2007100
 
Japanification of Chinese Music in Tokugawa JapanYang, Y201161
 
The Metaphysics of Mourning: Adorno’s Farewell to BeethovenChua, DKL2004124
 
Music as World/Music Half Heard: The 'Cocktail-Party Effect' between Opera and CinemaBiancorosso, G2006559
 
The promise of nothing: The dialectic of freedom in Adorno's BeethovenChua, DKL2005103
 
Rethinking unityChua, DKL200466
 
Ritual and Ceremony in the Spanish Royal Chapel, c. 1559-c. 1561Nelson, B2000272
 
Speaking Together: the dialogics and politics of a new musical experience among the T'boli of the PhilippinesMora, M199683
 
Stravinsky's Symphony of Psalms (in Chinese)Chan, JKB199699
 
Untimely reflections on operatic Echoes:: How sound travels in Monteverdi's L'Orfeo and Beethoven's Fidelio with a short instrumental interludeChua, DKL2005115
 
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