File Download
Supplementary
-
Citations:
- Appears in Collections:
postgraduate thesis: Rewriting Louis Cha's classical characters in filmic representation inresponse to the political and cultural mutation of Hong Kong 90S -Wong Kar Wai and Tsui Hark
Title | Rewriting Louis Cha's classical characters in filmic representation inresponse to the political and cultural mutation of Hong Kong 90S -Wong Kar Wai and Tsui Hark |
---|---|
Authors | |
Issue Date | 1998 |
Publisher | The University of Hong Kong (Pokfulam, Hong Kong) |
Citation | Ng, H. C. [吳海珊]. (1998). Rewriting Louis Cha's classical characters in filmic representation in response to the political and cultural mutation of Hong Kong 90S - Wong Kar Wai and Tsui Hark. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3195169 |
Degree | Master of Arts |
Subject | Martial arts fiction, Chinese - China - Hong Kong. Motion pictures - China - Hong Kong. Motion pictures producers and directors - China - Hong Kong. Identity (Psychology) in motion pictures - China - Hong Kong. Motion picture film. Motion picture producers and directors. |
Dept/Program | Literary and Cultural Studies |
Persistent Identifier | http://hdl.handle.net/10722/40449 |
HKU Library Item ID | b3195169 |
DC Field | Value | Language |
---|---|---|
dc.contributor.author | Ng, Hoi-shan, Crystal. | - |
dc.contributor.author | 吳海珊. | - |
dc.date.issued | 1998 | - |
dc.identifier.citation | Ng, H. C. [吳海珊]. (1998). Rewriting Louis Cha's classical characters in filmic representation in response to the political and cultural mutation of Hong Kong 90S - Wong Kar Wai and Tsui Hark. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3195169 | - |
dc.identifier.uri | http://hdl.handle.net/10722/40449 | - |
dc.language | eng | - |
dc.publisher | The University of Hong Kong (Pokfulam, Hong Kong) | - |
dc.relation.ispartof | HKU Theses Online (HKUTO) | - |
dc.rights | The author retains all proprietary rights, (such as patent rights) and the right to use in future works. | - |
dc.rights | This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. | - |
dc.source.uri | http://hub.hku.hk/bib/B31951697 | - |
dc.subject.lcsh | Martial arts fiction, Chinese - China - Hong Kong. | - |
dc.subject.lcsh | Motion pictures - China - Hong Kong. | - |
dc.subject.lcsh | Motion pictures producers and directors - China - Hong Kong. | - |
dc.subject.lcsh | Identity (Psychology) in motion pictures - China - Hong Kong. | - |
dc.subject.lcsh | Motion picture film. | - |
dc.subject.lcsh | Motion picture producers and directors. | - |
dc.title | Rewriting Louis Cha's classical characters in filmic representation inresponse to the political and cultural mutation of Hong Kong 90S -Wong Kar Wai and Tsui Hark | - |
dc.type | PG_Thesis | - |
dc.identifier.hkul | b3195169 | - |
dc.description.thesisname | Master of Arts | - |
dc.description.thesislevel | Master | - |
dc.description.thesisdiscipline | Literary and Cultural Studies | - |
dc.description.nature | published_or_final_version | - |
dc.identifier.doi | 10.5353/th_b3195169 | - |
dc.date.hkucongregation | 1998 | - |
dc.identifier.mmsid | 991015278879703414 | - |