“Sacred vs. Sacrilege: Visual Parody Before the Reformation and its Modern Reception.” Paper presented at the conference, “Reception Across the Disciplines: Theory and Praxis, Past and Present, Form and Content,” American Academy in Rome, March 5-7. Respondent: Avinoam Shalem, Columbia University
Blasphemous or Beautiful? Leonardo da Vinci’s Saint John the Baptist: Holy Masculinity and Its Ambiguities ca. 1500
Joseph of Nazareth in sixteenth-century new Spain: An elderly saint and popular devotion
The Pictures of Cotton in Eighteenth-century China
Women, Arts and Fantasies of ‘Homemaking’: Affective Domesticity, Embodied Inhabitation and Transnational (Dis)identification
The representation of filial piety in the Yuan-dynasty handscroll Four stories of filial piety
The Fabrication of Knowledge: Fang Guancheng and his Contributions to the Production of Cotton
Seeing, Reading, Knowing, and Making: The Production of Scientific Knowledge and the Manufacturing of Things in 14th-Century China
Qianlong’s Garden of the Clear Ripples: The Architectonic Appropriation of the Song-dynasty Pictures of Tilling and Weaving
Pictures of Auspicious Grain: Celestial blessings and the Yongzheng emperor’s Imperial Labor
Assimilating the Classics: The Qing Imperium's Reworking of Cotton Textile Production
The presence of a detached past in The Gran Boathouse of Rachel Whiteread
Recreating western imagery : European influence on the designs of Chinese enamel wares with western figures in the Qianlong period (1736-1795)
Angling for Habitats: Homemaking in Displacement
Caring and Transnational Homemaking: Yin Xiuzhen’s Art of Domestic Preservation
Diplomatic Residence Compounds No. 12: A “Migratory” Site of Glocal Specificity
One Morning of the World: Transnational Dwelling via Conflictual Connections
Interpreting Art Ecologies of the Past
Models of Modern Identity: Classical and Popular Culture in Impressionist Portraits of Children
