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| Title | Author(s) | Issue Date | Views | |
|---|---|---|---|---|
Re-Thinking Women in Chinese-Language Film History through Global Networks Proceeding/Conference:Re-Thinking Chinese Language Film History | 2018 | |||
Taking Suffrage Seriously: Hong Kong Women Media Artists, Digital Democracy, and the 2014 Umbrella Movement Proceeding/Conference:International Workshop on Women’s Filmmaking and Feminist Criticism in the Digital Era | 2017 | |||
Chinese Women Filmmakers in 21st Century America: Lulu Wang’s The Farewell (2019) Proceeding/Conference:100 Years of Chinese Film & Screen: Past, Present, and Futures Conference, University of Nottingham Ningbo China (UNNC) | 2021 | 11 | ||
The Cinematic Politics of LUST, CAUTION? Proceeding/Conference:International Symposium on 'Eileen Chang: Romancing Two Cultures' | 2009 | 133 | ||
Asian Citation: Postmodernism, Politics and Global Cinema Proceeding/Conference:Busan Cinema Forum | 2011 | 16 | ||
Women as Cultural Intermediaries within the Chinese Diaspora: The Search for Esther Eng in S. Louisa Wei’s Golden Gate Girls (2013) Proceeding/Conference:The Cultural Intermediaries in the East Asian Film Industries Conference | 2019 | |||
Women occupy Hong Kong screens: feminism, media activism, and the Umbrella Moment Proceeding/Conference:Symposium on the Gendered Politics of Production: Girls and Women as Media Producers | 2015 | 44 | ||
CCGL 9001—Hong Kong Cinema through a Global Lens: Spoken + Visual/Digital Assessment Proceeding/Conference:Communication-Intensive Courses Symposium | 2018 | |||
Departing from THE DEPARTED (2006): The INFERNAL AFFAIRS Trilogy (2002-3) and Ten Years of Film in (and out of) the HKSAR” Proceeding/Conference:International Conference on 'Hong Kong Culture: Word and Image' | 2007 | |||
Viral Visions: Gender and the Gaze in Hong Kong’s Pandemic Cinema Proceeding/Conference:Society for Hong Kong Studies (SHKS) 2nd Annual Conference, 2021 | 2021 | |||
Teaching film in Asia: moving from the international to the transnational classroom Proceeding/Conference:International Symposium on Internationalization, Teaching, Learning and the Liberal Arts | 2009 | 84 | ||
Production for Festival Use: Hong Kong Women Filmmakers, International Circuits, Regional Networks, and Ann Hui’s My Way Proceeding/Conference:Global Storytelling Symposium | 2020 | 11 | ||
Lust, Caution: China, Japan, and the KMT on Screen--Present and Past? Proceeding/Conference:Alt-SCMS: The JIU Media Studies Department Media Workshop | 2009 | |||
Hong Kong women filmmakers' visions of the 21st century Proceeding/Conference:Symposium on Envisioning Chinese Cinemas in the 21st Century | 2013 | 21 | ||
Intersectional Activism and Sexual Citizenship in the HKSAR: Evans Chan’s Raise the Umbrellas (2016) Proceeding/Conference:International Conference: Contacts, Collisions, Conjunctions | 2018 | |||
Jean-Luc Godard?s La Chinoise (1967): Engaging Mao on French screens? Proceeding/Conference:International Workshop on 'China and the World in Mao's Last Decade, 1966-1976' | 2009 | 104 | ||
Documenting Sexual Citizenship in the HKSAR: Evans Chan’s Raise the Umbrellas (2016) Proceeding/Conference:Documentary Film, Regional, Theoretical and Political Parameters | 2018 | 39 | ||
Haunted by Hollywood: Hong Kong Noir, Horror, and RUNNING ON KARMA Proceeding/Conference:Symposium on Haunting and Globalization: Symptoms of the Present | 2011 | 98 | ||
Hong Kong as feminist method: analyzing gender/sexuality in films by women in the HKSAR Proceeding/Conference:International Conference on Hong Kong as Method | 2014 | 25 | ||
Viral Visions: Gender and the Geopolitics of Pandemics in Hollywood, Hong Kong, and the PRC Proceeding/Conference:Weatherhead East Asian Institute, Columbia University, Webinar | 2021 | 9 | ||
Gender Politics and History: Ann Hui's The Postmodern Life of my Aunt Proceeding/Conference:Symposium and International Videoconference on 'Transnational East Asian Cinema since 1997' | 2008 | 124 | ||
The Public Face of Domestic Space: Hong Kong Doubled through Women Filmmakers’ Lenses Proceeding/Conference:The City and Its Double /La ville et son double Symposium, University of Hong Kong | 2018 | 30 | ||
ROMEO MUST DIE: Interracial Romance in Action Proceeding/Conference:Conference on 'Retrospect and Prospect: The Cinematic Boulevard between China and Hollywood' | 2006 | 108 | ||
Hong Kong Popular Culture and the Not-So-Popular Jackie Chan Proceeding/Conference:Hong Kong Popular Culture: Imagining a Research Field Online Workshop | 2021 | 12 | ||
The Look, the Leer, the Glare, the Glance and the Gaze: #MeToo in Hong Kong and the People’s Republic of China Proceeding/Conference:Society for Cinema and Media Studies (SCMS) 2019 Conference | 2019 | 18 |