File Download

There are no files associated with this item.

Supplementary

Conference Paper: Chinese Art in the Court of Queen Victoria

TitleChinese Art in the Court of Queen Victoria
Authors
Issue Date2009
PublisherThe University of Hong Kong.
Citation
China and Global Modernity Lecture Series, University of Hong Kong, Hong Kong, 8 April 2009 How to Cite?
AbstractThis paper examines the role of Chinese porcelain and other art objects in the architectural and artistic displays of British royal power and taste under Queen Victoria (r.1837-1901). Focused on the renovation of Buckingham Palace, it compares Victoria’s treatment of Chinese objects to earlier uses of Chinese art at the royal residences of Carlton House and Brighton Pavilion. It also compares Victoria to Empress Eugénie of France, who set up Chinese art looted from the palace of Yuanming Yuan in 1860 in a special display at the palace of Fontainebleau. The paper suggests ways in which Chinese art was deployed in conjunction with European classicism to promote a modern culture of imperial power.
DescriptionThe talk was jointly sponsored by the Centre for East Asian Studies, Chinese University of Hong Kong, and the School of English, Department of Comparative Literature and the China-WestStudies Research Theme Initiative, Faculty of Arts, HKU
Persistent Identifierhttp://hdl.handle.net/10722/266258

 

DC FieldValueLanguage
dc.contributor.authorThomas, GM-
dc.date.accessioned2019-01-15T02:02:13Z-
dc.date.available2019-01-15T02:02:13Z-
dc.date.issued2009-
dc.identifier.citationChina and Global Modernity Lecture Series, University of Hong Kong, Hong Kong, 8 April 2009-
dc.identifier.urihttp://hdl.handle.net/10722/266258-
dc.descriptionThe talk was jointly sponsored by the Centre for East Asian Studies, Chinese University of Hong Kong, and the School of English, Department of Comparative Literature and the China-WestStudies Research Theme Initiative, Faculty of Arts, HKU-
dc.description.abstractThis paper examines the role of Chinese porcelain and other art objects in the architectural and artistic displays of British royal power and taste under Queen Victoria (r.1837-1901). Focused on the renovation of Buckingham Palace, it compares Victoria’s treatment of Chinese objects to earlier uses of Chinese art at the royal residences of Carlton House and Brighton Pavilion. It also compares Victoria to Empress Eugénie of France, who set up Chinese art looted from the palace of Yuanming Yuan in 1860 in a special display at the palace of Fontainebleau. The paper suggests ways in which Chinese art was deployed in conjunction with European classicism to promote a modern culture of imperial power.-
dc.languageeng-
dc.publisherThe University of Hong Kong. -
dc.relation.ispartofChina and Global Modernity Lecture Series, University of Hong Kong-
dc.titleChinese Art in the Court of Queen Victoria-
dc.typeConference_Paper-
dc.identifier.emailThomas, GM: gmthomas@hku.hk-
dc.identifier.authorityThomas, GM=rp01185-
dc.identifier.hkuros161153-
dc.publisher.placeHong Kong-

Export via OAI-PMH Interface in XML Formats


OR


Export to Other Non-XML Formats