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Article: Visual hybridity: Margaret murray cookesley's orientalist aestheticism

TitleVisual hybridity: Margaret murray cookesley's orientalist aestheticism
Authors
Issue Date2011
PublisherLe Centre d'Études et de Recherches Victoriennes, Édouardiennes et Contemporaines, Université de Montpellier III (CERVEC). The Journal's web site is located at http://www.pulm.fr/index.php/revues/cahiers-victoriens-et-edouardiens.html
Citation
Cahiers Victoriens And Edouardiens, 2011, v. 2011 n. 74, p. 169-195 How to Cite?
AbstractThis essay foregrounds the work of late nineteenth-century British painter Margaret Murray Cookesley, who may be largely forgotten today, but who in her day exhibited regularly at the Royal Academy and, it seems, also managed to sell her art to an interested public. What makes her oeuvre fascinating in the context of British Aestheticism is that she successfully combined artistic principles adopted from the Aesthetic Movement with the Eastern subject matter inherited from the Orientalist painting tradition. By analysing a number of Cookesley's Orientalist-Aestheticist paintings of harem women this essay thussuggests that Aestheticism was by no means a well-defined or self-contained artistic movement but was open enough to invite often bizarre hybrids like Cookesley's works into its circle.
Persistent Identifierhttp://hdl.handle.net/10722/143724
ISSN
2015 SCImago Journal Rankings: 0.101
References

 

DC FieldValueLanguage
dc.contributor.authorKuehn, Jen_HK
dc.date.accessioned2011-12-21T08:47:00Z-
dc.date.available2011-12-21T08:47:00Z-
dc.date.issued2011en_HK
dc.identifier.citationCahiers Victoriens And Edouardiens, 2011, v. 2011 n. 74, p. 169-195en_HK
dc.identifier.issn0220-5610en_HK
dc.identifier.urihttp://hdl.handle.net/10722/143724-
dc.description.abstractThis essay foregrounds the work of late nineteenth-century British painter Margaret Murray Cookesley, who may be largely forgotten today, but who in her day exhibited regularly at the Royal Academy and, it seems, also managed to sell her art to an interested public. What makes her oeuvre fascinating in the context of British Aestheticism is that she successfully combined artistic principles adopted from the Aesthetic Movement with the Eastern subject matter inherited from the Orientalist painting tradition. By analysing a number of Cookesley's Orientalist-Aestheticist paintings of harem women this essay thussuggests that Aestheticism was by no means a well-defined or self-contained artistic movement but was open enough to invite often bizarre hybrids like Cookesley's works into its circle.en_HK
dc.languageengen_US
dc.publisherLe Centre d'Études et de Recherches Victoriennes, Édouardiennes et Contemporaines, Université de Montpellier III (CERVEC). The Journal's web site is located at http://www.pulm.fr/index.php/revues/cahiers-victoriens-et-edouardiens.htmlen_US
dc.relation.ispartofCahiers Victoriens and Edouardiensen_HK
dc.titleVisual hybridity: Margaret murray cookesley's orientalist aestheticismen_HK
dc.typeArticleen_HK
dc.identifier.emailKuehn, J: jkuehn@hku.hken_HK
dc.identifier.authorityKuehn, J=rp01167en_HK
dc.description.naturelink_to_subscribed_fulltext-
dc.identifier.scopuseid_2-s2.0-83755183702en_HK
dc.identifier.hkuros198048en_US
dc.relation.referenceshttp://www.scopus.com/mlt/select.url?eid=2-s2.0-83755183702&selection=ref&src=s&origin=recordpageen_HK
dc.identifier.volume2011en_HK
dc.identifier.issue74en_HK
dc.identifier.spage169en_HK
dc.identifier.epage195en_HK
dc.identifier.scopusauthoridKuehn, J=35746273700en_HK

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