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Article: Listening to the self: The Shawshank redemption and the technology of music
Title | Listening to the self: The Shawshank redemption and the technology of music |
---|---|
Authors | |
Keywords | Freedom Romanticism Shawshank Redemption Sound technology Subjectivity |
Issue Date | 2011 |
Publisher | University of California Press. The Journal's web site is located at http://www.ucpress.edu/journals/ncm |
Citation | 19th-Century Music, 2011, v. 34 n. 3, p. 341-355 How to Cite? |
Abstract | Music has often been used to symbolize and express ontological experiences. This article explores a mode of nineteenth-century self-audition where music captures a glimpse of the freedom that lies at the core of the subject. This mode of listening has intensified with the development of modern technology and is still prevalent in constructing the identity of the self. The opera scene from the Shawshank Redemption not only is an example of this special effect, but provides a narrative of how music achieves this affect, creating an ideal and virtual self through sound technology. © 2011 by the Regents of the University of California. |
Persistent Identifier | http://hdl.handle.net/10722/141064 |
ISSN | 2023 Impact Factor: 0.3 2023 SCImago Journal Rankings: 0.168 |
ISI Accession Number ID | |
References |
DC Field | Value | Language |
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dc.contributor.author | Chua, DKL | en_HK |
dc.date.accessioned | 2011-09-23T06:24:54Z | - |
dc.date.available | 2011-09-23T06:24:54Z | - |
dc.date.issued | 2011 | en_HK |
dc.identifier.citation | 19th-Century Music, 2011, v. 34 n. 3, p. 341-355 | en_HK |
dc.identifier.issn | 0148-2076 | en_HK |
dc.identifier.uri | http://hdl.handle.net/10722/141064 | - |
dc.description.abstract | Music has often been used to symbolize and express ontological experiences. This article explores a mode of nineteenth-century self-audition where music captures a glimpse of the freedom that lies at the core of the subject. This mode of listening has intensified with the development of modern technology and is still prevalent in constructing the identity of the self. The opera scene from the Shawshank Redemption not only is an example of this special effect, but provides a narrative of how music achieves this affect, creating an ideal and virtual self through sound technology. © 2011 by the Regents of the University of California. | en_HK |
dc.language | eng | en_US |
dc.publisher | University of California Press. The Journal's web site is located at http://www.ucpress.edu/journals/ncm | en_HK |
dc.relation.ispartof | 19th-Century Music | en_HK |
dc.rights | Published as 19th-Century Music, 2011, v. 34 n. 3, p. 341-355. © 2011 by the Regents of the University of California. Copying and permissions notice: Authorization to copy this content beyond fair use (as specified in Sections 107 and 108 of the U. S. Copyright Law) for internal or personal use, or the internal or personal use of specific clients, is granted by the Regents of the University of California for libraries and other users, provided that they are registered with and pay the specified fee via Rightslink® or directly with the Copyright Clearance Center. | en_US |
dc.subject | Freedom | en_HK |
dc.subject | Romanticism | en_HK |
dc.subject | Shawshank Redemption | en_HK |
dc.subject | Sound technology | en_HK |
dc.subject | Subjectivity | en_HK |
dc.title | Listening to the self: The Shawshank redemption and the technology of music | en_HK |
dc.type | Article | en_HK |
dc.identifier.email | Chua, DKL: daniel.chua@hku.hk | en_HK |
dc.identifier.authority | Chua, DKL=rp01212 | en_HK |
dc.description.nature | published_or_final_version | - |
dc.identifier.doi | 10.1525/ncm.2011.34.3.341 | en_HK |
dc.identifier.scopus | eid_2-s2.0-79954992430 | en_HK |
dc.identifier.hkuros | 194096 | en_US |
dc.relation.references | http://www.scopus.com/mlt/select.url?eid=2-s2.0-79954992430&selection=ref&src=s&origin=recordpage | en_HK |
dc.identifier.volume | 34 | en_HK |
dc.identifier.issue | 3 | en_HK |
dc.identifier.spage | 341 | en_HK |
dc.identifier.epage | 355 | en_HK |
dc.identifier.eissn | 1533-8606 | - |
dc.identifier.isi | WOS:000290095500007 | - |
dc.publisher.place | United States | en_HK |
dc.identifier.scopusauthorid | Chua, DKL=36957440800 | en_HK |
dc.identifier.issnl | 0148-2076 | - |