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Book Chapter: Bicycle thieves and pickpockets in the ‘Desert of the real’: transnational Chinese cinema, postmodernism, and the transcendental style

TitleBicycle thieves and pickpockets in the ‘Desert of the real’: transnational Chinese cinema, postmodernism, and the transcendental style
Authors
Marchetti, G
Issue Date2011
PublisherPalgrave Macmillan
Citation
Bicycle thieves and pickpockets in the ‘Desert of the real’: transnational Chinese cinema, postmodernism, and the transcendental style. In Lee, VPY (Ed.), East Asian cinema, p. 61-86. London: Palgrave Macmillan, 2011 How to Cite?
DescriptionPart 2: Genre and Transnational Aesthetics
Persistent Identifierhttp://hdl.handle.net/10722/138504
ISBN
9780230277670

 

DC FieldValueLanguage
dc.contributor.authorMarchetti, Gen_US
dc.date.accessioned2011-08-26T15:05:13Z-
dc.date.available2011-08-26T15:05:13Z-
dc.date.issued2011en_US
dc.identifier.citationBicycle thieves and pickpockets in the ‘Desert of the real’: transnational Chinese cinema, postmodernism, and the transcendental style. In Lee, VPY (Ed.), East Asian cinema, p. 61-86. London: Palgrave Macmillan, 2011en_US
dc.identifier.isbn9780230277670en_US
dc.identifier.urihttp://hdl.handle.net/10722/138504-
dc.descriptionPart 2: Genre and Transnational Aesthetics-
dc.languageengen_US
dc.publisherPalgrave Macmillanen_US
dc.relation.ispartofEast Asian Cinemas: Regional Flows and Global Transformationsen_US
dc.titleBicycle thieves and pickpockets in the ‘Desert of the real’: transnational Chinese cinema, postmodernism, and the transcendental styleen_US
dc.typeBook_Chapteren_US
dc.identifier.emailMarchetti, G: marchett@hkucc.hku.hken_US
dc.identifier.authorityMarchetti, G=rp01177en_US
dc.identifier.hkuros191691en_US
dc.identifier.spage61en_US
dc.identifier.epage86en_US
dc.publisher.placeLondon-
dc.customcontrol.immutableyiu 130521-

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