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Article: The picture, the parable, the performance and the sword: secularism’s demographic imperatives

TitleThe picture, the parable, the performance and the sword: secularism’s demographic imperatives
Authors
Keywordssecularism
Bombay
Muslims
Parsis
public sphere
demography
Issue Date2018
Citation
Ethnic and Racial Studies, 2018, v. 41, n. 12, p. 2197-2214 How to Cite?
Abstract© 2017, © 2017 Informa UK Limited, trading as Taylor & Francis Group. In the making of colonial modernity, the newspaper, novel and theatre were three fundamental implements for the development of a bourgeois public sphere. Nevertheless, their introduction led to significant alterations in modes of inter-communal social contestation. This article traces three separate instances of the outbreak and prevention of Parsi-Muslim communal riots in colonial India sparked by three representations of Muslim prophets–pictorial, narrative and theatrical–within the city of Bombay in 1851, 1874 and 1891. Through this analysis, the article traces the embedded predilection within colonialism’s “secular” juridical mechanisms towards majoritarian religious sensitivities. It argues against the equation of Indian secularism with substantive values, reintroducing questions of hegemony and demography to normative analyses of secularism. Secularism’s legal machinery thereby emerges as neither dispassionate nor independent of the epistemological claims of the majority, exposing the limits of current views of Indian secularism as distinctive from its western counterparts.
Persistent Identifierhttp://hdl.handle.net/10722/262768
ISSN
2023 Impact Factor: 2.1
2023 SCImago Journal Rankings: 0.938
ISI Accession Number ID

 

DC FieldValueLanguage
dc.contributor.authorNicholson, Rashna Darius-
dc.date.accessioned2018-10-08T02:46:59Z-
dc.date.available2018-10-08T02:46:59Z-
dc.date.issued2018-
dc.identifier.citationEthnic and Racial Studies, 2018, v. 41, n. 12, p. 2197-2214-
dc.identifier.issn0141-9870-
dc.identifier.urihttp://hdl.handle.net/10722/262768-
dc.description.abstract© 2017, © 2017 Informa UK Limited, trading as Taylor & Francis Group. In the making of colonial modernity, the newspaper, novel and theatre were three fundamental implements for the development of a bourgeois public sphere. Nevertheless, their introduction led to significant alterations in modes of inter-communal social contestation. This article traces three separate instances of the outbreak and prevention of Parsi-Muslim communal riots in colonial India sparked by three representations of Muslim prophets–pictorial, narrative and theatrical–within the city of Bombay in 1851, 1874 and 1891. Through this analysis, the article traces the embedded predilection within colonialism’s “secular” juridical mechanisms towards majoritarian religious sensitivities. It argues against the equation of Indian secularism with substantive values, reintroducing questions of hegemony and demography to normative analyses of secularism. Secularism’s legal machinery thereby emerges as neither dispassionate nor independent of the epistemological claims of the majority, exposing the limits of current views of Indian secularism as distinctive from its western counterparts.-
dc.languageeng-
dc.relation.ispartofEthnic and Racial Studies-
dc.subjectsecularism-
dc.subjectBombay-
dc.subjectMuslims-
dc.subjectParsis-
dc.subjectpublic sphere-
dc.subjectdemography-
dc.titleThe picture, the parable, the performance and the sword: secularism’s demographic imperatives-
dc.typeArticle-
dc.description.naturelink_to_subscribed_fulltext-
dc.identifier.doi10.1080/01419870.2018.1381342-
dc.identifier.scopuseid_2-s2.0-85030668296-
dc.identifier.volume41-
dc.identifier.issue12-
dc.identifier.spage2197-
dc.identifier.epage2214-
dc.identifier.eissn1466-4356-
dc.identifier.isiWOS:000440357300005-
dc.identifier.issnl0141-9870-

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