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| Title | Author(s) | Issue Date | Views | |
|---|---|---|---|---|
The Balinese Gamelan Gong Kebyar in the classroom Proceeding/Conference:Asia-Pacific Symposium on Music Education Research | 2003 | 86 | ||
Beethoven and the Chains of Freedom: Adorno's Empty Moment Proceeding/Conference:Research Colloquia | 2004 | 89 | ||
Body and Soul: Adeptness and Musical Performance Proceeding/Conference:National UGAT Conference 'Rootwork and Network: Weaving Mindanao Anthropology' | 2002 | 96 | ||
Body, mind, spirit and soul: a T'boli (Philippines) epistemology of adeptness in musical performance Proceeding/Conference:Annual Meeting of the Society for Ethnomusicology | 1995 | 108 | ||
Celebrating the Global: The Hong Kong Chinese Orchestra at the British Farewell Proceeding/Conference:The Cultural Consequences of Globalisation: The Case of Music. Centre for Studies in Social Science | 1998 | 102 | ||
Film Music as Conjuring: Revisiting the Question of Perceptual Ambiguity Proceeding/Conference:Society for Cinema Studies Conference | 2005 | 116 | ||
Film Music as Epistemological Joke Proceeding/Conference:Music and its Spheres, a Symposium in Honor of Nicholas Cook | 2006 | 125 | ||
The Gamelan: The Making of a Musical Heritage Proceeding/Conference:International Conference on Asian Heritages at the Crossroads | 2007 | 84 | ||
Hearing in': Film Music and the Myth of Subliminal Perception Proceeding/Conference:Central Conservatory of Music Conference | 2005 | 119 | ||
High and Low: Music as Anamorphic Spot Proceeding/Conference:The Film Scene: International Conference on Cinema | 2006 | 92 | ||
Ideological hybridities in the musical performance of the Hong Kong hand over ceremony Proceeding/Conference:Abstracts of the Seventh Annual Central New York Conference on Language and Literature | 1997 | 85 | ||
In the Days of the Travelling Tram: An Example of Applying Extension Techniques on Melodic Writing Proceeding/Conference:National Conference of Melody Studies | 2000 | 94 | ||
Intercultural interactions and the redeployment of music culture from the Philippines Highlands Proceeding/Conference:World Conference of the International Council for Traditional Music | 2001 | 140 | ||
Looking into the Mirror: A (Preliminary) Descriptive Analysis of the Past Programs of IMSEA 2011–2022. Proceeding/Conference:21st Quinquennial Congress of the International Musicological Society (22/08/2022-26/08/2022, , , National and Kapodistrian University of Athens, Athens, Greece) | 24-Aug-2022 | |||
Melodrama and Its Aura: Godard's 'Contempt' Proceeding/Conference:American Musicological Society Conference, AMS 2004 | 2004 | 109 | ||
Music as the theological mouthpiece of modernity: from Vincenzo Galilei to the Early Romantics Proceeding/Conference:Meeting of Theology and Music Colloquium | 2004 | 94 | ||
Nature, knowledge and musical creativity in T'boli musical performance Proceeding/Conference:Issues in Contemporary Filipino and Filipino American Culture. Northwest Folklife Festival Symposium | 1996 | 110 | ||
Negotiating Musical Worlds in Bali: Sanggar Bona Alit, a Case Study Proceeding/Conference:International Conference on Island Cultures in Transition in the Asia-Pacific Region | 2006 | 93 | ||
Otherness and Transcendence in a Philippine Music Festival Proceeding/Conference:Music and Life World: Otherness and transgression in the culture of the 20th century. In memorium Fernando Lopes Graca, Fundacao D. Luis I | 1996 | 121 | ||
Otherness and Transgression in a Philippine Music Festival Proceeding/Conference:Department of Anthropology Colloquium, The Chinese University of Hong Kong Colloquium Series | 1997 | 118 |