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| Title | Author(s) | Issue Date | Views | |
|---|---|---|---|---|
Paul Clark, The Chinese Cultural Revolution: A History Journal:China Perspectives | 2010 | 17 | ||
Re-Thinking Women in Chinese-Language Film History through Global Networks Proceeding/Conference:Re-Thinking Chinese Language Film History | 2018 | 28 | ||
Taking Suffrage Seriously: Hong Kong Women Media Artists, Digital Democracy, and the 2014 Umbrella Movement Proceeding/Conference:International Workshop on Women’s Filmmaking and Feminist Criticism in the Digital Era | 2017 | 24 | ||
INFERNAL AFFAIRS: Global Markets and Local Politics in Hong Kong Cinema Proceeding/Conference:Annual Conference of Asian Cinema Studies Society | 2005 | 141 | ||
Chinese Film Studies Online: Technological Innovations, Pedagogical Challenges, and Teaching Chinese-Language Cinema in the Digital Age Journal:Journal of Chinese Film Studies | 2021 | 15 | ||
Interview with Ann Hui: on the edge of the mainstream Book:Hong Kong screenscapes: from the new wave to the digital frontier | 2011 | 94 | ||
Chinese Women Filmmakers in 21st Century America: Lulu Wang’s The Farewell (2019) Proceeding/Conference:100 Years of Chinese Film & Screen: Past, Present, and Futures Conference, University of Nottingham Ningbo China (UNNC) | 2021 | 11 | ||
The Cinematic Politics of LUST, CAUTION? Proceeding/Conference:International Symposium on 'Eileen Chang: Romancing Two Cultures' | 2009 | 122 | ||
Asian Citation: Postmodernism, Politics and Global Cinema Proceeding/Conference:Busan Cinema Forum | 2011 | 15 | ||
Women as Cultural Intermediaries within the Chinese Diaspora: The Search for Esther Eng in S. Louisa Wei’s Golden Gate Girls (2013) Proceeding/Conference:The Cultural Intermediaries in the East Asian Film Industries Conference | 2019 | 20 | ||
Women occupy Hong Kong screens: feminism, media activism, and the Umbrella Moment Proceeding/Conference:Symposium on the Gendered Politics of Production: Girls and Women as Media Producers | 2015 | 33 | ||
The Hong Kong New Wave Book:A Companion to Chinese Cinema | 2012 | 22 | ||
Between Comrade and Queer: Stanley Kwan’s HOLD YOU TIGHT (translated into Chinese) Book:In Critical Proximity: The Visual Memories of Stanley Kwan | 2007 | 90 | ||
CCGL 9001—Hong Kong Cinema through a Global Lens: Spoken + Visual/Digital Assessment Proceeding/Conference:Communication-Intensive Courses Symposium | 2018 | 55 | ||
Departing from THE DEPARTED (2006): The INFERNAL AFFAIRS Trilogy (2002-3) and Ten Years of Film in (and out of) the HKSAR” Proceeding/Conference:International Conference on 'Hong Kong Culture: Word and Image' | 2007 | 129 | ||
Hollywood/Taiwan: Connections, Countercurrents, and Ang Lee’s HULK Journal:Film Appreciation Journal (電影欣賞) | 2004 | 107 | ||
Clara Law, Asia, and World Cinema: Letters to Ali (2004) Book:The Palgrave Handbook of Asian Cinema | 2018 | 58 | ||
Viral Visions: Gender and the Gaze in Hong Kong’s Pandemic Cinema Proceeding/Conference:Society for Hong Kong Studies (SHKS) 2nd Annual Conference, 2021 | 2021 | 9 | ||
Haunted by Hollywood: Hong Kong Noir, Horror, and RUNNING ON KARMA Journal:Journal of Letters | 2014 | 92 | ||
Teaching film in Asia: moving from the international to the transnational classroom Proceeding/Conference:International Symposium on Internationalization, Teaching, Learning and the Liberal Arts | 2009 | 81 | ||
| 2021 | 18 | |||
Production for Festival Use: Hong Kong Women Filmmakers, International Circuits, Regional Networks, and Ann Hui’s My Way Proceeding/Conference:Global Storytelling Symposium | 2020 | 28 | ||
Lust, Caution: China, Japan, and the KMT on Screen--Present and Past? Proceeding/Conference:Alt-SCMS: The JIU Media Studies Department Media Workshop | 2009 | 281 | ||
Women Filmmakers: Ann Hui Book:The International Encyclopedia of Gender, Media, and Communication | 2020 | 31 | ||
Hong Kong women filmmakers' visions of the 21st century Proceeding/Conference:Symposium on Envisioning Chinese Cinemas in the 21st Century | 2013 | 18 |