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| Title | Author(s) | Issue Date | Views | |
|---|---|---|---|---|
| 2016 | 79 | |||
"Love at First Sight": Music as Heterological Silence Proceeding/Conference:Annual Conference on Music & the Moving Image | 2016 | 32 | ||
High and Low: Music as Anamorphic Spot Proceeding/Conference:The Film Scene: International Conference on Cinema | 2006 | 92 | ||
Double Agents, Cameos, and the Poor Man's Orchestra: Music and Place in Chungking Express Book:A Companion to Hong Kong Cinema | 2015 | 52 | ||
| 2002 | 129 | |||
The Big Screen and Verdi’s Stage Book:Verdi on Screen: [actes du colloque Dentro il cristallo arcano, Verdi à l'écran, 6-8 novembre 2013] | 2015 | 39 | ||
Film, Music, and the Redemption of the Mundane Book:Bad Music | 2004 | 137 | ||
Hearing in': Film Music and the Myth of Subliminal Perception Proceeding/Conference:Central Conservatory of Music Conference | 2005 | 119 | ||
From Steel to Silk: The Music for Ashes of Time (Redux) Book:World Studies | 2017 | 42 | ||
Hong Kong ‘Contrafacta’: Wong Kar Wai’s Musical Bricolage Proceeding/Conference:American Musicological Society (AMS) Annual Meeting, 2019 | 2019 | 36 | ||
Music as World/Music Half Heard: The 'Cocktail-Party Effect' between Opera and Cinema Journal:Journal of the Musicological Society of Korea | 2006 | 149 | ||
Stravinsky and The Role of the 20th-century Composer Proceeding/Conference:Understanding Composition and Contemporary Music Series | 2006 | 127 | ||
Review of: Sergio Bassetti, La musica secondo Kubrick Journal:Il saggiatore musicale | 2005 | 73 | ||
Songs of delusion: popular music and the aesthetics of the self in Wong Kar-wai's cinema Book:Popular music and the new film auteur: visionary filmmakers after MTV | 2013 | 175 | ||
A Global Vernacular? Musing on European Art Music in Hong Kong Journal:Musica Docta | 2014 | 54 | ||
Setting, Symbol, or Enigma? Schubert, 'The Trout,' and Kurosawa's 'High and Low' Proceeding/Conference:Conference on 'Music and the Moving Image' | 2007 | 113 | ||
Traccia, memoria, e riscrittura: le registrazioni [Trace, Memory, and Rewriting: The Recordings] Book:Mille e una Callas: Voci e studi | 2016 | 47 | ||
The Filmmaker as Music Bricoleur: Wong Kar Wai’s Soundtracks Proceeding/Conference:Creative Media Colloquium, School of Creative Media, City Univerfsity of Hong Kong | 2019 | 28 | ||
Staging Opera in a Film-Drowned World: La Traviata, Cinema, and the 'Cocktail-Party Effect' Proceeding/Conference:Congress of the International Musicological Society, IMS 2007 | 2007 | 101 | ||
Global music/local cinema: two Wong Kar-wai pop compilations Book:Hong Kong culture: word and image | 2010 | 58 | ||
The shark in the music Journal:Music Analysis | 2010 | 189 | ||
The Phantom of the Opera and the Performance of Cinema Journal:The Opera Quarterly | 2018 | 67 | ||
The Case for a Theory of Musical Practice: a View from Hong Kong Proceeding/Conference:Society for Artistic Research (SAR) 10th International Conference | 2019 | 19 | ||
Melodrama and Its Aura: Godard's 'Contempt' Proceeding/Conference:American Musicological Society Conference, AMS 2004 | 2004 | 109 | ||
Whose phenomenology of music David Hurons theory of expectation Journal:Music and Letters | 2008 | 170 |