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Book Chapter: The Language of Film and the Representation of Legal Subjectivity in Juno Mak's Rigor Mortis

TitleThe Language of Film and the Representation of Legal Subjectivity in Juno Mak's Rigor Mortis
Authors
Issue Date2018
PublisherCambridge University Press
Citation
The Language of Film and the Representation of Legal Subjectivity in Juno Mak's Rigor Mortis. In Leung, JHC & Durant, A (Eds.), Meaning and Power in the Language of Law, p. 118-134. Cambridge, UK ; New York, NY: Cambridge University Press, 2018 How to Cite?
AbstractExplores the representation of legal subjectivity in Juno Mak's Rigor Mortis and the tradition of vampire films in Hong Kong.
DescriptionChapter 5
Persistent Identifierhttp://hdl.handle.net/10722/294318
ISBN

 

DC FieldValueLanguage
dc.contributor.authorWan, MMH-
dc.date.accessioned2020-11-23T08:29:39Z-
dc.date.available2020-11-23T08:29:39Z-
dc.date.issued2018-
dc.identifier.citationThe Language of Film and the Representation of Legal Subjectivity in Juno Mak's Rigor Mortis. In Leung, JHC & Durant, A (Eds.), Meaning and Power in the Language of Law, p. 118-134. Cambridge, UK ; New York, NY: Cambridge University Press, 2018-
dc.identifier.isbn9781107112841-
dc.identifier.urihttp://hdl.handle.net/10722/294318-
dc.descriptionChapter 5-
dc.description.abstractExplores the representation of legal subjectivity in Juno Mak's Rigor Mortis and the tradition of vampire films in Hong Kong.-
dc.languageeng-
dc.publisherCambridge University Press-
dc.relation.ispartofMeaning and Power in the Language of Law-
dc.titleThe Language of Film and the Representation of Legal Subjectivity in Juno Mak's Rigor Mortis-
dc.typeBook_Chapter-
dc.identifier.emailWan, MMH: mwan@hkucc.hku.hk-
dc.identifier.authorityWan, MMH=rp01272-
dc.identifier.doi10.1017/9781316285756.006-
dc.identifier.scopuseid_2-s2.0-85048454266-
dc.identifier.hkuros319647-
dc.identifier.spage118-
dc.identifier.epage134-
dc.publisher.placeCambridge, UK ; New York, NY-

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