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Article: Holocaust als Fiktion: Von Andrzej Wajda bis Quentin Tarantino

TitleHolocaust als Fiktion: Von Andrzej Wajda bis Quentin Tarantino
Authors
Issue Date2014
PublisherDeutsche Gesellschaft für Osteuropakunde e.V. The Journal's web site is located at http://www.osteuropa.dgo-online.org/
Citation
Osteuropa, 2014, v. 64 n. 11-12, p. 103-114 How to Cite?
AbstractTime and time again, representation of the Holocaust by means of art has been declared impossible, and nonetheless it is tried over and over. Andrzej Wajda’s film about the Polish physician Janusz Korczak, who ran an orphanage in the Warsaw Ghetto and went to his death with those under his protection, does not conceal the dilemmas its hero faced. But its reconciliatory ending and unwavering affirmation of education and enlightenment are misleading. A provocative, historically incorrect film such as Quentin Tarantino's “Inglorious Basterds” does greater justice to the moral complexity of its topic than conventional “Holocaust cinema”.
Persistent Identifierhttp://hdl.handle.net/10722/208668
ISSN
2015 Impact Factor: 0.268

 

DC FieldValueLanguage
dc.contributor.authorAuer, S-
dc.date.accessioned2015-03-18T09:02:24Z-
dc.date.available2015-03-18T09:02:24Z-
dc.date.issued2014-
dc.identifier.citationOsteuropa, 2014, v. 64 n. 11-12, p. 103-114-
dc.identifier.issn0030-6428-
dc.identifier.urihttp://hdl.handle.net/10722/208668-
dc.description.abstractTime and time again, representation of the Holocaust by means of art has been declared impossible, and nonetheless it is tried over and over. Andrzej Wajda’s film about the Polish physician Janusz Korczak, who ran an orphanage in the Warsaw Ghetto and went to his death with those under his protection, does not conceal the dilemmas its hero faced. But its reconciliatory ending and unwavering affirmation of education and enlightenment are misleading. A provocative, historically incorrect film such as Quentin Tarantino's “Inglorious Basterds” does greater justice to the moral complexity of its topic than conventional “Holocaust cinema”.-
dc.languageger-
dc.publisherDeutsche Gesellschaft für Osteuropakunde e.V. The Journal's web site is located at http://www.osteuropa.dgo-online.org/-
dc.relation.ispartofOsteuropa-
dc.titleHolocaust als Fiktion: Von Andrzej Wajda bis Quentin Tarantino-
dc.typeArticle-
dc.identifier.emailAuer, S: stefauer@hku.hk-
dc.identifier.authorityAuer, S=rp01793-
dc.identifier.hkuros242678-
dc.identifier.volume64-
dc.identifier.issue11-12-
dc.identifier.spage103-
dc.identifier.epage114-
dc.publisher.placeGermany-

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