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Conference Paper: Writing and the machine: perspectives from cybertexts

TitleWriting and the machine: perspectives from cybertexts
制動文本視角下的數位文學
Authors
KeywordsCybertext (制動文本)
Digital Writing (數位書寫)
Materiality (物質性)
Technology (科技)
Issue Date2014
Citation
The 5th International Conference of Digital Archives and Digital Humanities, Taipei. Taiwan, 1-2 December 2014. How to Cite?
AbstractElectronic literature is one of many sites in which the digital humanities may be seen at work. This paper examines two modalities of electronic literature: John Cayley’s “morphing series” and Poetry Vending Machine from the Taipei Poetry Festival. In each case it focuses on the relation between text and reader, specifically on the ways in which the reader interacts with the materiality and technology of the literary artifact. The paper argues that the outcome of the hybridization between technology and writing is the digital cybertext, which turns readers into users and players, and reading into an embodied, participatory event.
電子文學是數位人文的其中一種呈現形式。本文選擇約翰•凱利的「漸變系 列」及臺北詩歌節推出的「詩的自動販賣機」作為討論對象,探討文本和讀者之 間的關係,特別針對讀者與文學作品之物質性及科技元素的互動作深入討論,進 而提出,數位制動文本是科技和寫作的交互成果,此類書寫讓讀者轉為文本的「使 用者」及「玩家」,使其寓身體及感官於閱讀之中。
DescriptionPaper Session 4: Art & Literature
The Conference program's website is located at http://www.dadh.digital.ntu.edu.tw/Agenda.php?LangType=en&His=EKALM
Persistent Identifierhttp://hdl.handle.net/10722/206869

 

DC FieldValueLanguage
dc.contributor.authorLee, TKen_US
dc.date.accessioned2014-12-02T10:58:40Z-
dc.date.available2014-12-02T10:58:40Z-
dc.date.issued2014en_US
dc.identifier.citationThe 5th International Conference of Digital Archives and Digital Humanities, Taipei. Taiwan, 1-2 December 2014.en_US
dc.identifier.urihttp://hdl.handle.net/10722/206869-
dc.descriptionPaper Session 4: Art & Literature-
dc.descriptionThe Conference program's website is located at http://www.dadh.digital.ntu.edu.tw/Agenda.php?LangType=en&His=EKALM-
dc.description.abstractElectronic literature is one of many sites in which the digital humanities may be seen at work. This paper examines two modalities of electronic literature: John Cayley’s “morphing series” and Poetry Vending Machine from the Taipei Poetry Festival. In each case it focuses on the relation between text and reader, specifically on the ways in which the reader interacts with the materiality and technology of the literary artifact. The paper argues that the outcome of the hybridization between technology and writing is the digital cybertext, which turns readers into users and players, and reading into an embodied, participatory event.en_US
dc.description.abstract電子文學是數位人文的其中一種呈現形式。本文選擇約翰•凱利的「漸變系 列」及臺北詩歌節推出的「詩的自動販賣機」作為討論對象,探討文本和讀者之 間的關係,特別針對讀者與文學作品之物質性及科技元素的互動作深入討論,進 而提出,數位制動文本是科技和寫作的交互成果,此類書寫讓讀者轉為文本的「使 用者」及「玩家」,使其寓身體及感官於閱讀之中。-
dc.languageengen_US
dc.relation.ispartofInternational Conference of Digital Archives and Digital Humanitiesen_US
dc.relation.ispartof2014 第五届數位典藏與數位人文國際研討會-
dc.rightsCreative Commons: Attribution 3.0 Hong Kong License-
dc.subjectCybertext (制動文本)-
dc.subjectDigital Writing (數位書寫)-
dc.subjectMateriality (物質性)-
dc.subjectTechnology (科技)-
dc.titleWriting and the machine: perspectives from cybertextsen_US
dc.title制動文本視角下的數位文學en_US
dc.typeConference_Paperen_US
dc.identifier.emailLee, TK: leetk@hku.hken_US
dc.identifier.authorityLee, TK=rp01612en_US
dc.description.naturepostprint-
dc.identifier.hkuros241616en_US

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