| Chinese tradition and Western influences in Li Ang's fiction | 312 |
| Indiscernable coloniality versus inarticulate decolonization : the dynamics of community building processes in Wanchai | 709 |
| Memory as text and tactics: a hermeneutics ofHong Kong urban culture | 348 |
| New Chinese cinemas and feminine writings | 287 |
| Searching for a cultural identity: Hong Kong fiction from the fifties to the nineties | 319 |
| Between history and fiction: making sense of Lao can you ji as a text in ruins | 374 |
| The politics of nostalgia: explorations of home, homeland and identities in the context of an accented cinema | 247 |
| Technologising the male body: British cinema 1957-1987 | 257 |
| Some aspects of Bohemianism and literature 1830-1975 with special reference to John Addington Symonds, Kenneth Grahame and KennethRexroth | 261 |
| The Chinese nationalist imaginary and its relation to Hong Kong | 315 |
| Imagined immunities and politics of incorporation : mutating borders and interiors in recent Hong Kong cinema | 84 |
| Identities and bodies between life and death: an exploration of techno-presence | 264 |
| The dialogics of representation: Shanghai in contemporary Hong Kong films | 314 |
| Hong Sangsoo's cinema of dissonance | 784 |
| The politics of popular culture: a study of aHong Kong comic strip, McMug | 374 |
| The construction of an urban underclass : a cultural study of Chinese rural-urban migrant workers | 354 |
| Raping mail/males: reading and writing in Clarissa: y Ho Poi-yan Ingrid. | 379 |
| Shifting ground: modernist aesthetics in Taiwanese poetry since the 1950s | 243 |
| A cultural critique of Turkish cinema in relation to "Arabesk" | 277 |
| From China to nowhere: the writings of Gao Xingjian in the 1980s and early 90s | 295 |
| The politics of memory: in search of imaginary homes in films by Clara Law and Ann Hui | 282 |
| Ecology beyond shanshui : comparative ecocriticism in contemporary Chinese cinema and visual culture | 260 |
| Community and literature in the work of Blanchot | 239 |
| Becoming a friend: reading Thus spake Zarathustra | 248 |
| Crossing boundaries: a study of modern Hong Kong fiction from the fifties to the eighties | 308 |
| Modes of intertextuality in The waste land and Ulysses: two contrasted cases | 459 |
| Shenzhen in the reform era : narratives of past, future, and present | 113 |
| Besieged brotherhood and the transformation of triad traditions : the Hong Kong triad genre as an allegorical critique of plutocratic hypocrisy | 191 |
| Tracing the novelistic in Roland Barthes | 284 |
| In-visible palimpsest: memory, space and modernity in Berlin and Shanghai | 398 |
| Chinese independent cinema and international film festival network at the age of global image consumption | 370 |
| In search of identity: Hong Kong as seen through its cinema from the 1950s to the early 1980s | 287 |
| Crisis and negotiation: a study of modern chinese fiction in the eighties | 268 |
| Magic realism and `root-searching' in the works of Mo Yan, Zhaxi Dawa and Han Shaogong | 481 |
| Foucault's esthetics of existence | 260 |
| Political participation of working class Chinese marriage migrants in Hong Kong SAR | 138 |
| Immigrant imaginaries in the filmic apartment ellipsis : a study of New York and Hong Kong | 379 |
| Teaching film as a space of interpretative interaction | 253 |
| To live and forget: the limits of comprehension and remembrance in the feature films of Hirokazu Kore-eda | 671 |
| Thinking Proust allegorically | 254 |
| Byron's literary fortunes in China | 277 |
| An historical relation of the Island Ceylon: Knox and the 'writing that conquers' | 258 |
| A spatial analysis of Zhang Yuan's films | 313 |
| Cinematic architecture | 581 |
| Gender as a choice : the agency of transgender subjectivities | 155 |
| Virtuality and the city: Benjamin against Baudrillard | 262 |
| Form, force, and sociality: a study of the literary fantastic with special reference to Angela Carter and MoYan | 270 |
| Confessing the impossible: Bataille,Foucault, Rimbaud, and transgression | 326 |
| Understanding Japanese animation: from Miyazaki and Takahata anime | 423 |
| The cinema of development: class factors and global trends in Hong Kong cinema | 594 |
| Traversing Hong Kong: strategies of representation and resistance in lens-based media | 405 |
| Monde Flottant: médiation du Japon et thématique de la féminité dansl'oeuvre de Kikou Yamata (1897-1975) | 269 |
| Beyond rivers and lakes: a cultural study of jianghu | 536 |
| Filming gay representations: male homosexuality in Hong Kong and Taiwanese cinema | 2812 |
| Gender discourses and female subjectivities in 1949-1966 Chinesewomen's writings | 388 |
| Fashioning bodies, transforming identities: Kafka and Cronenberg | 253 |
| Beyond hybridization: the spatial histories of Mong Kok, Hong Kong | 445 |
| Gendered visions postcolonial Indian art | 290 |
| Frames, flows, feminist aesthetics: paintingsby Judy Watson, Cai Jin and Marlene Dumas | 304 |
| The wordgame of John Fowles | 277 |
| The poetics of absence: a study of Antonioni and Wenders | 278 |
| In Cervantes' shadow: raiders and writers of the lost archive | 276 |
| Modern orientalism : the image of China through John Thomson's photography | 375 |
| Between penumbrae and shadow: contextualizingtransnational queer Chinese cinemas | 384 |
| Literature, revolution, freedom : studies of literary practices and social transformation in Edmond Jabès, Marguerite Duras and Wong Bik-wan | 467 |
| From conventional to experimental: the makingof Chinese metaphysical detective fiction | 275 |
| From Mrs. Dalloway to The Hours: bisexuality/bitextuality and écriture féminine | 278 |
| A study of translation as critique | 347 |
| The birth of nostophobia and the death of nostalgia : cinematic reconstructions of Hong Kong identity | 277 |
| The contemporary cinema of the BRIC countries and the politics of change | 230 |
| Speed and immobility in urban space and cinema | 387 |
| Reconfigurations of gender: contemporary Chinese drama 1979-1989 : the politics of re-inscribing sexualdifferences | 247 |
| Writing blocks and bridging gaps: Dickens andLittle Dorrit | 268 |
| On being moved : affect and politics in women's narratives of Southeast Asian migration | 434 |
| A critique of the postmodern neglect of authentic selfhood | 435 |
| Alternative modernity discourse and intellectual politics in modern and contemporary China: a case study ofXueheng school | 433 |
| Postmodernity and recent Hong Kong cinema | 312 |
| Two versions of the cliché | 234 |
| Film censorship in Hong Kong | 726 |
| The cultural politics of the Hong Kong diaspora (in Canada) | 331 |
| Journalism as part of the neoliberal urban redevelopment regime : the case of Hong Kong | 65 |
| Chinese martial arts stardom in participatory cyberculture | 79 |
| Politicizing female subjectivity: performativity and sublimation in leftist writers Yang Mo, Xiao Hong | 567 |
| Gender and sexuality in modern Shanghai: Chinese fiction of the early twentieth century | 294 |
| A genealogy of skyrim modding | 94 |
| Reading male and nation trouble in Yu Dafu (郁達夫) and Guo Moruo (郭沫若) | 408 |
| BI AII means: the trouble with Tong Zhi discourse : beyond queer looks in the East is red and Swordsman II | 259 |
| Embedded coloniality in Hong Kong: from flower cultivation to culture-led urban renewal in Mong Kok FlowerMarket | 623 |
| Hong Kong martial art novels: the case of Louis Cha | 359 |
| Imaginary spaces in children's fantasy fiction: a psychoanalytic reading of Lewis Carroll's Alice Booksand Philip Pullman's His Dark Materials Trilogy | 458 |
| The concept of the body in Marcel Proust's Remembrance of things past | 317 |
| Toward freedom: a critique of the ideologies of late capitalism | 259 |
| Rewriting of the feminine: Angela Carter and l'Écriture féminie | 260 |
| Creolised and colonised: the history and future of the Macanese and Mozambican Chinese | 330 |
| The thought without image of Deleuze and Guattari | 297 |
| An evaluation of the new wave cinema in Hong Kong through the study offour directors: Patrick Tam, Allen Fong, AnnHui and Tsui Hark | 523 |
| Elizabeth Bishop: her Nova Scotian origins and the portable culture of home | 276 |
| Brushing history against the grain: constructing the Chinese new historical fiction as an oppositionaldiscourse | 295 |
| Ghostwriting Hong Kong: post-colonial documentary and the western tradition | 304 |
| Industrialisation and its discontents : on and on theatre workshop in Hong Kong | 292 |
| Traumatic cyberspace: witnessing cyberspace as a site of Trauma | 273 |
| Reflected selves: representations of male homosexuality in Wilde, Gide, Genet and White | 297 |
| Non-"Cures of jealousy": Cervantes and Shakespeare to Proust and beyond | 280 |
| Lou Ye: the birth of a personal eye (I) | 560 |
| Gender representation in the tales of Jin Deshun | 263 |
| Imagining independence: the circulation and thematic concerns of independent film from Hong Kong and China | 257 |
| Madness and literature: the desire for freedom and redemptive order | 317 |
| Reinterpreting a queer experience: a study ofStanley Kwan's films and their reception | 795 |
| Deconstructing the auteur : a study of the process of value-formation in the cinema of Wong Kar-wai | 392 |
| A comparative study of Wim Wenders and Krzysztof Kieslowski: the theme of alienation | 355 |
| Engendering children: from folk tales to fairy tales | 312 |
| Overcoming conscience: a study of Wagner, Ibsen, and Wilde | 319 |
| Re-examining Asian discourses on sustainability in a network society | 232 |
| Memories of becoming modern : Sinophone American cinemas of passing | 174 |
| Liu Na'ou and the 1930s Chinese soft film : modernism, film art and politics in Republican era Shanghai | 93 |
| Reinventing the real: transfigurations of cinematic kung fu in the 21st century | 388 |
| The queer female stardom emerging from transnational Chinese singing contests | 356 |
| Macau: a cultural janus in colonial vicissitudes | 352 |
| The poetry of Han-shan in English: a culturalapproach | 300 |
| Writing Hong Kong identity in transitional period romance short stories | 103 |
| Towards a cinema of contemplation: Roy Andersson's aesthetics and ethics | 767 |
| Works of laziness: writing sloth | 344 |
| Gendered subaltern as perspective in reading Mo Yan, Wang Shuo and Zhang Jie | 302 |
| Post-1997 Hong Kong cinema, masculinity crisis, and generational hegemony : the baby-boomers, post-70s generation and beyond | 694 |
| The impact of translated Japanese comics on Hong Kong cinematic production: cultural imperialism or localredeployment? | 321 |
| Representing crises in German culture in Doctor Faustus | 249 |
| Reading 'Third World' women's autobiography | 293 |
| Decoding China's new left phenomenon | 277 |
| Cyborgs, capitalism, hope: a study of Hong Kong and Hollywood science fiction films | 453 |
| The fragile scholar: the construction of masculinity in traditional Chinese romances and its culturalconstituents | 349 |
| Translocal readings: Hong Kong television serials in US Chinatowns | 286 |
| The reinvention of Taiwanese identity in Tsai Ming-liang's films | 391 |
| The absurd as critical realism in postsocialist Chinese cinema | 121 |
| From metro to metropolis: production and reproduction of urban spaces in Hong Kong by the MTR | 322 |
| Remembering the cultural revolution: a study of Chinese cinema since 1978 | 379 |
| Reading beyond "Happily Ever After": refiguring the Disney narrative of femininity | 571 |
| Remapping Taipei: globalization and Edward Yang's films | 559 |
| An analysis of the filmic: a philosophical grounding for film aesthetics | 628 |
