Term | Code | Class | Title |
---|---|---|---|
2023 S2 | MUSI3037 | 2A | Opera (capstone experience) |
2022 S2 | MUSI4002 | FA | Advanced music performance 4 (capstone experience) |
2022 S2 | MUSI3019 | FA | Advanced music performance 3 |
2022 S2 | MUSI2047 | FA | Advanced music performance 2 |
2022 S2 | MUSI1018 | FA | Advanced music performance 1 |
2022 S1 | MUSI4002 | FA | Advanced music perf 4 (capstone) |
2022 S1 | MUSI3019 | FA | Advanced music performance 3 |
2022 S1 | MUSI2047 | FA | Advanced music performance 2 |
2022 S1 | MUSI2044 | 1A | Film music |
2022 S1 | MUSI1018 | FA | Advanced music performance 1 |
2021 S2 | MUSI4002 | FA | Advanced music performance 4 (capstone experience) |
2021 S2 | MUSI3019 | FA | Advanced music performance 3 |
2021 S2 | MUSI2047 | FA | Advanced music performance 2 |
2021 S2 | MUSI1018 | FA | Advanced music performance 1 |
2021 S1 | MUSI4002 | FA | Advanced music performance 4 (capstone experience) |
2021 S1 | MUSI3019 | FA | Advanced music performance 3 |
2021 S1 | MUSI2081 | 1A | Music in Western culture I |
2021 S1 | MUSI2047 | FA | Advanced music performance 2 |
2021 S1 | MUSI1018 | FA | Advanced music performance 1 |
2020 S2 | MUSI4002 | FA | Advanced music performance 4 (capstone experience) |
2020 S2 | MUSI3019 | FA | Advanced music performance 3 |
2020 S2 | MUSI2047 | FA | Advanced music performance 2 |
2020 S2 | MUSI1018 | FA | Advanced music performance 1 |
2020 S1 | MUSI4002 | FA | Advanced music performance 4 (capstone experience) |
2020 S1 | MUSI3019 | FA | Advanced music performance 3 |
2020 S1 | MUSI2047 | FA | Advanced music performance 2 |
2020 S1 | MUSI2044 | 1A | Film music |
2020 S1 | MUSI1018 | FA | Advanced music performance 1 |
2019 S2 | MUSI4002 | FA | Advanced music performance 4 (capstone experience) |
2019 S2 | MUSI3019 | FA | Advanced music performance 3 |
2019 S2 | MUSI2082 | 2A | Music in Western culture II |
2019 S2 | MUSI2047 | FA | Advanced music performance 2 |
2019 S2 | MUSI1018 | FA | Advanced music performance 1 |
2019 S1 | MUSI4002 | FA | Advanced music performance 4 (capstone experience) |
2019 S1 | MUSI3019 | FA | Advanced music performance 3 |
2019 S1 | MUSI2047 | FA | Advanced music performance 2 |
2019 S1 | MUSI1018 | FA | Advanced music performance 1 |
2018 S1 | MUSI2047 | FA | Advanced music performance 2 |
2018 S1 | MUSI7001 | FA | Research Methods in Music |
2018 S2 | MUSI1018 | FA | Advanced music performance 1 |
2018 S2 | MUSI7001 | FA | Research Methods in Music |
2018 S1 | MUSI4002 | FA | Advanced music performance 4 (capstone experience) |
2018 S2 | MUSI2047 | FA | Advanced music performance 2 |
2018 S2 | MUSI3019 | FA | Advanced music performance 3 |
2018 S2 | MUSI4002 | FA | Advanced music performance 4 (capstone experience) |
2018 S1 | MUSI1018 | FA | Advanced music performance 1 |
2018 S1 | MUSI3019 | FA | Advanced music performance 3 |
2018 S2 | MUSI2054 | 2A | The piano |
Status | Thesis Title | Field of Study | Student |
---|---|---|---|
Chinese Music History | 2023 Phd Hu Yile | ||
Instrumentation and Musical Experience | 2023 Phd Jessen Jonathan Waagner | ||
Concept of Temporality in Vaporwave Music & Its Application in Contemporary Classical Composition | 2022 Phd Lee Yi Wei Angus | ||
Musicology | 2022 MPhil Sun Chang | ||
Music Composition | 2022 MPhil Au Ho Hei | ||
Ethnomusicology | 2021 Phd Sundari Olivia Evelin | ||
Composition | 2021 MPhil Tong Cheuk Yan | ||
Playing with the Voice: Hatsune Miku and Vocaloid Culture in Contemporary Japan | Musicology / Ethnomusicology | 2012 MPhil Fu Ka Man Francis | |
Global Perspectives on Dance Movement: Salsa and Bharatanatyam | Dance as a Form of Musical Multimedia | 2008 Phd O'Brien Juliette Angela | |
Music and emotions reconsidered: Towards a holistic approach to understanding musical experience | Musicology | 2009 MPhil Ma Duan Yang | |
Listening for the “Spirit” of Symphonies: Program Notes and the Construction of the Soviet Hero | Musicology | 2011 MPhil Leung Ki Ki | |
Neither Here Nor There: The Dramatc Tension between the Spoken Word and Music Performance in Igor Stravinsky's Oedipus Rex (1927) | Musicology | 2009 MPhil Chan Chor Shan Sharon | |
The Piano as Cultural Capital in Hong Kong | Musicology | 2006 Phd Poon Letty | |
A Study of the Musical Instruments of Ifugao in the Cordillera Region, Northern Philippines | Philippine Ethnomusicology / Music Archaeology | 2009 MPhil Campos Fredeliza Zamora | |
Structural Ordering in Contemporary Music: The Perceptibility Factor Reconsidered | Composition | 2009 MPhil Lo Ting Cheung | |
Music in Play on Screen: Performing Reality in Ingmar Bergman’s Late Work | Film Music | 2011 Phd Ibanez Garcia Estela | |
Sound and Nonviolence: Music as Political Action in Hong Kong | Musicology/Ethnomusicology | 2014 MPhil Lai Wan Chi Winnie | |
A Phonological Study of the Tone-melody Correspondence in Cantonese Pop Music | Language and Music | 2003 Phd Ho Wing See Vincie | |
Audience Accessibility: Applying Game Rules in Music Composition | Composition | 2009 Phd Wylegala Yoko Hamabe | |
Piano Culture in Hong Kong: From City Hall to Harbour City | Musicology | 2004 MPhil Poon Letty | |
Memory, Aesthetics and Musical Quotation: Four Case Studies in 20th Century Music | Musicology | 2005 MPhil Leung Tai Wai David | |
Music and Sound in Johnnie To’s PTU | Film Music | 2007 MPhil Mui Yee Man | |
The Use of Folk Instruments Alongside Classical Instruments: A Practitioner’s Survey | Historically-informed Research on Orchestration | 2014 Phd Fung Gordon Dic-lun | |
In the Mood for Music: Sonic Extraterritoriality and Musical Exchange in Hong Kong Cinema | Film Music | 2010 Phd Chen Chih-Ting | |
From Stage to Screen: The Legacy of Traditional Chinese Theatre in the Soundtracks of King Hu’s Films | Music | 2010 Phd Wang Shuang | |
Beautified Violence: Music and Slow Motion in The Banquet (2006) | Musicology | 2008 MPhil Wang Shuang | |
Becoming a tradition: re-inventing the Sanxian | Musicology | 2014 MPhil Chan Hei Tung | |
Scoring for Film and Theatre Play: Original Music Written with a Narrative Approach | Music Composition | 2018 Phd Lam Kwan Fai | |
A Social History of Nightlife and Dance in 20th Century Hong Kong | Musicology | 2018 Phd De Bakker Li Meng | |
Representing the Classics: The Soundtracks of the Five TV Serials Editions Based on the Novel "Dream of Red Mansions" (Hung Lou Meng, 紅樓夢)(1975-2010) | Music | 2014 Others Yu Yi-mei | |
Rethinking Independence: Sonic Infrastructures and Youth Participation in Post-Socialist China’s Independent Music Scene | Ethnomusicology | 2017 MPhil Zhou Minzhuo |
Start Date | End Date | Committee | Category | Body |
---|---|---|---|---|
2008-09-11 | 2011-09-10 | Faculty of Arts, Board of the | The teachers who are members of the Faculty and who are full-time employees of the University | |
2019-05-01 | Faculty of Arts, Board of the | The teachers who are members of the Faculty and who are full-time employees of the University | ||
2007-07-01 | 2009-06-30 | Academic Awards, Board of | An Associate Dean (Undergraduate Education/Teaching and Learning), appointed on rotational basis for two years at a time, from Faculty Cluster B (Arts, Business & Economics, Education and Social Sciences) | |
2005-09-11 | 2008-09-10 | Faculty of Arts, Board of the | The teachers who are members of the Faculty and who are full-time employees of the University | |
2011-09-11 | 2011-12-31 | Faculty of Arts, Board of the | The teachers who are members of the Faculty and who are full-time employees of the University | |
2009-07-01 | 2011-06-30 | Academic Awards, Board of | An Associate Dean (Undergraduate Education/Teaching and Learning), appointed on rotational basis for two years at a time, from Faculty Cluster B (Arts, Business & Economics, Education and Social Sciences) | |
2012-01-01 | 2019-04-30 | Faculty of Arts, Board of the | The teachers who are members of the Faculty and who are full-time employees of the University |